Lívia Rév (5 July 1916 – 28 March 2018) was a Hungarian classical concert pianist.   Rév was born in Budapest, Hungary. She started her studies with Margit Varro and Klara Mathe. Aged nine, she won the Grand Prix des Enfants Prodiges. Aged twelve she performed with an orchestra. She studied with Leo Weiner and Arnold Székely at the Franz Liszt Academy of Music, with Professor Robert Teichmüller at the Leipzig Conservatory, and with Paul Weingarten at the Vienna Conservatory, having left Hungary in 1946.   Rév lives in Paris, with her husband Benjamin Dunn.   She has won the Ferenc Liszt International Record Grand Prix.   Rév has performed across Europe, in Asia, Africa, and in the United States. She has been the soloist with conductors such as Sir Adrian Boult, André Cluytens, Jascha Horenstein, Eugen Jochum, Josef Krips, Rafael Kubelík, Hans Schmidt-Isserstedt, Constantin Silvestri, and Walter Susskind.   Her first US appearance was in 1963 at the invitation of the Rockefeller Institute.   She is well known for her light touch and clarity. Her recordings vary from complete Debussy Préludes, Chopin Nocturnes, and Mendelssohn Songs without Words.
  Lívia Rév (5 July 1916 – 28 March 2018) was a Hungarian classical concert pianist.   Rév was born in Budapest, Hungary. She started her studies with Margit Varro and Klara Mathe. Aged nine, she won the Grand Prix des Enfants Prodiges. Aged twelve she performed with an orchestra. She studied with Leo Weiner and Arnold Székely at the Franz Liszt Academy of Music, with Professor Robert Teichmüller at the Leipzig Conservatory, and with Paul Weingarten at the Vienna Conservatory, having left Hungary in 1946.   Rév lives in Paris, with her husband Benjamin Dunn.   She has won the Ferenc Liszt International Record Grand Prix.   Rév has performed across Europe, in Asia, Africa, and in the United States. She has been the soloist with conductors such as Sir Adrian Boult, André Cluytens, Jascha Horenstein, Eugen Jochum, Josef Krips, Rafael Kubelík, Hans Schmidt-Isserstedt, Constantin Silvestri, and Walter Susskind.   Her first US appearance was in 1963 at the invitation of the Rockefeller Institute.   She is well known for her light touch and clarity. Her recordings vary from complete Debussy Préludes, Chopin Nocturnes, and Mendelssohn Songs without Words.
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Lívia Rév
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