卢乔·达拉（Lucio Dalla，1943年3月4日－2012年3月1日），男性，意大利流行乐创作歌手、作曲家、音乐家与演员。
卢乔·达拉在1960年代时，深受爵士乐熏陶，蜕变成为具有影响力、且赋有创意的意大利歌手之一。他不断寻找新的视野与挑战，以丰富的好奇心探索各种不同的曲风，又乐于与来自不同国家的艺术家合作或合唱。在他近半个世纪的职业生涯，喜欢演奏键盘乐器、单簧管与萨克斯风，以呈现他那澎湃的情感。
卢乔·达拉的创作丰富多样，从英式节拍（British Beat）、灵魂乐、各种实验性音乐，以及歌剧的词曲创作，盛名远至意大利国外，他所创作的歌曲，有些被翻译成不同语言版本，例如奥莉维亚·纽顿-强于1988年发行的《谣言》（The Rumour）专辑中收录了〈这一生〉（Tutta la vita）一曲，达拉创作的另外一首歌曲〈1943年3月4日〉（4 Marzo 1943），则被巴西著名作家歌手奇科·布华奇（葡萄牙语：Chico Buarque）翻译成〈我的历史〉（Minha historia），又〈如果我是唱诗歌的天使〉（Se io fossi un angelo, Canzone）被西班牙著名女歌手安娜·贝伦（Ana Belén）翻译为西班牙文的〈如果我是唱诗歌的天使〉（Si Yo Fuera un Ángel, Canción），至于名曲〈卡罗索〉（Caruso），更被各国著名艺人演唱或翻译，包括有胡里奥·伊格莱西亚斯（Julio Iglesias）、帕瓦罗蒂（Luciano Pavarotti）、恩里克·坎德拉（Enrique Candela）唱西班牙语版、赫尔穆特·洛蒂（Helmut Lotti）唱英语版、蜜海儿·玛蒂（Mireille Mathieu）唱法语版、理查德·加利亚诺（Richard Galliano）演奏版。
Lucio Dalla, OMRI (Italian pronunciation: [ˈluːtʃo ˈdalla]; 4 March 1943 – 1 March 2012) was a popular Italian singer-songwriter, musician and actor. He also played clarinet and keyboards.
Dalla was the composer of "Caruso" (1986), a song dedicated to emblematic Italian opera tenor Enrico Caruso.
Dalla was born in Bologna, Italy. He began to play the clarinet at an early age, in a jazz band in Bologna, and became a member of a local jazz band called Rheno Dixieland Band, together with future film director Pupi Avati. Avati said that he decided to leave the band after feeling overwhelmed by Dalla's talent. He also acknowledged that his film, Ma quando arrivano le ragazze? (2005), was inspired by his friendship with Dalla.
Beginnings
In the 1960s the band participated in the first Jazz Festival at Antibes, France. The Rheno Dixieland Band won the first prize in the traditional jazz band category and was noticed by a Roman band called Second Roman New Orleans Jazz Band, with whom Dalla recorded his first record in 1961 and had the first contacts with RCA records, his future music publisher.
Singer-songwriter Gino Paoli hearing Dalla's vocal qualities, suggested that he attempt a soloist career as a soul singer. However, Dalla's debut at the Cantagiro music festival in 1965 was not successful probably due to both his physical appearance as well as his music, which was considered too experimental for the time. His first single, a rendition in Italian of the American traditional standard Careless Love was a failure, as it was his first album, 1999, that was released the following year. His next album, Terra di Gaibola (from the name of a suburb of Bologna), was released in 1970 and contained some early Dalla classics. His first hit was "4 Marzo 1943", which achieved some success due to the Sanremo Festival. The original title of the song was supposed to be "Gesù bambino", however in those years there was still stiff censorial control over the content of songs, and the title was changed to Dalla's birth date.
With Roberto Roversi
Dalla's recording debut as a soloist took place in 1964, with the release of the 45 rpm-single "Lei (non è per me)" (B-side: "Ma questa sera"). In the 1970s, Dalla started a collaboration with the Bolognese poet Roberto Roversi. Roversi wrote the lyrics to Dalla's next three albums Il giorno aveva cinque teste (The Day Had Five Heads) (1973), Anidride solforosa (Sulphur dioxide) (1975) and Automobili (Automobiles) (1976).
Although these albums did not sell in large numbers, they were noted by critics for the unusual mix of Roversi's lyrics with Dalla's improvisations, along with the latter's sometimes experimental twists and composition abilities. The duo had already broken up by the time the concept album Automobili was released. Roversi, who had been against the album's release, chose the pseudonym "Norisso" when it was time to register the songs. The album, however, included one of Dalla's most popular songs, "Nuvolari", named after the famous 1930s Italian racer.
Solo career
Affected by the end of the collaboration, Dalla decided to write the lyrics of his next albums himself. The first album of this new phase was Com'è profondo il mare (1977), in which Dalla was accompanied by members of futurepop band Stadio. The title track was the hit "Quale allegria" ("What joy").
In 1979, his popularity was confirmed by the success of the Banana Republic album.
The song Caruso, released in 1986, was one of his most famous works. It has been covered by numerous international artists such as Luciano Pavarotti and Julio Iglesias. The version sung by Pavarotti sold over 9 million copies, and another version was a track on Andrea Bocelli's first international album, Romanza, which sold over 20 million copies worldwide. Maynard Ferguson also covered the song on his album "Brass Attitude", after having previously paid tribute to Caruso with his rendition of "Vesti la giubba" (titled as "Pagliacci") on the album Primal Scream.
The 1990 hit single Attenti al Lupo gave Dalla wider success in Europe. He was invited to duet on Pavarotti and friends, singing his hit "Caruso" with Pavarotti.
In 2010, Dalla came back to work with Francesco De Gregori during the "Work in Progress" tour and album. Dalla's main influences were to be found in jazz, but his songs ranged from folk ("Attenti al lupo") and pop ("Lunedi") to classical and opera ("Caruso").
卢乔·达拉（Lucio Dalla，1943年3月4日－2012年3月1日），男性，意大利流行乐创作歌手、作曲家、音乐家与演员。
卢乔·达拉在1960年代时，深受爵士乐熏陶，蜕变成为具有影响力、且赋有创意的意大利歌手之一。他不断寻找新的视野与挑战，以丰富的好奇心探索各种不同的曲风，又乐于与来自不同国家的艺术家合作或合唱。在他近半个世纪的职业生涯，喜欢演奏键盘乐器、单簧管与萨克斯风，以呈现他那澎湃的情感。
卢乔·达拉的创作丰富多样，从英式节拍（British Beat）、灵魂乐、各种实验性音乐，以及歌剧的词曲创作，盛名远至意大利国外，他所创作的歌曲，有些被翻译成不同语言版本，例如奥莉维亚·纽顿-强于1988年发行的《谣言》（The Rumour）专辑中收录了〈这一生〉（Tutta la vita）一曲，达拉创作的另外一首歌曲〈1943年3月4日〉（4 Marzo 1943），则被巴西著名作家歌手奇科·布华奇（葡萄牙语：Chico Buarque）翻译成〈我的历史〉（Minha historia），又〈如果我是唱诗歌的天使〉（Se io fossi un angelo, Canzone）被西班牙著名女歌手安娜·贝伦（Ana Belén）翻译为西班牙文的〈如果我是唱诗歌的天使〉（Si Yo Fuera un Ángel, Canción），至于名曲〈卡罗索〉（Caruso），更被各国著名艺人演唱或翻译，包括有胡里奥·伊格莱西亚斯（Julio Iglesias）、帕瓦罗蒂（Luciano Pavarotti）、恩里克·坎德拉（Enrique Candela）唱西班牙语版、赫尔穆特·洛蒂（Helmut Lotti）唱英语版、蜜海儿·玛蒂（Mireille Mathieu）唱法语版、理查德·加利亚诺（Richard Galliano）演奏版。
Lucio Dalla, OMRI (Italian pronunciation: [ˈluːtʃo ˈdalla]; 4 March 1943 – 1 March 2012) was a popular Italian singer-songwriter, musician and actor. He also played clarinet and keyboards.
Dalla was the composer of "Caruso" (1986), a song dedicated to emblematic Italian opera tenor Enrico Caruso.
Dalla was born in Bologna, Italy. He began to play the clarinet at an early age, in a jazz band in Bologna, and became a member of a local jazz band called Rheno Dixieland Band, together with future film director Pupi Avati. Avati said that he decided to leave the band after feeling overwhelmed by Dalla's talent. He also acknowledged that his film, Ma quando arrivano le ragazze? (2005), was inspired by his friendship with Dalla.
Beginnings
In the 1960s the band participated in the first Jazz Festival at Antibes, France. The Rheno Dixieland Band won the first prize in the traditional jazz band category and was noticed by a Roman band called Second Roman New Orleans Jazz Band, with whom Dalla recorded his first record in 1961 and had the first contacts with RCA records, his future music publisher.
Singer-songwriter Gino Paoli hearing Dalla's vocal qualities, suggested that he attempt a soloist career as a soul singer. However, Dalla's debut at the Cantagiro music festival in 1965 was not successful probably due to both his physical appearance as well as his music, which was considered too experimental for the time. His first single, a rendition in Italian of the American traditional standard Careless Love was a failure, as it was his first album, 1999, that was released the following year. His next album, Terra di Gaibola (from the name of a suburb of Bologna), was released in 1970 and contained some early Dalla classics. His first hit was "4 Marzo 1943", which achieved some success due to the Sanremo Festival. The original title of the song was supposed to be "Gesù bambino", however in those years there was still stiff censorial control over the content of songs, and the title was changed to Dalla's birth date.
With Roberto Roversi
Dalla's recording debut as a soloist took place in 1964, with the release of the 45 rpm-single "Lei (non è per me)" (B-side: "Ma questa sera"). In the 1970s, Dalla started a collaboration with the Bolognese poet Roberto Roversi. Roversi wrote the lyrics to Dalla's next three albums Il giorno aveva cinque teste (The Day Had Five Heads) (1973), Anidride solforosa (Sulphur dioxide) (1975) and Automobili (Automobiles) (1976).
Although these albums did not sell in large numbers, they were noted by critics for the unusual mix of Roversi's lyrics with Dalla's improvisations, along with the latter's sometimes experimental twists and composition abilities. The duo had already broken up by the time the concept album Automobili was released. Roversi, who had been against the album's release, chose the pseudonym "Norisso" when it was time to register the songs. The album, however, included one of Dalla's most popular songs, "Nuvolari", named after the famous 1930s Italian racer.
Solo career
Affected by the end of the collaboration, Dalla decided to write the lyrics of his next albums himself. The first album of this new phase was Com'è profondo il mare (1977), in which Dalla was accompanied by members of futurepop band Stadio. The title track was the hit "Quale allegria" ("What joy").
In 1979, his popularity was confirmed by the success of the Banana Republic album.
The song Caruso, released in 1986, was one of his most famous works. It has been covered by numerous international artists such as Luciano Pavarotti and Julio Iglesias. The version sung by Pavarotti sold over 9 million copies, and another version was a track on Andrea Bocelli's first international album, Romanza, which sold over 20 million copies worldwide. Maynard Ferguson also covered the song on his album "Brass Attitude", after having previously paid tribute to Caruso with his rendition of "Vesti la giubba" (titled as "Pagliacci") on the album Primal Scream.
The 1990 hit single Attenti al Lupo gave Dalla wider success in Europe. He was invited to duet on Pavarotti and friends, singing his hit "Caruso" with Pavarotti.
In 2010, Dalla came back to work with Francesco De Gregori during the "Work in Progress" tour and album. Dalla's main influences were to be found in jazz, but his songs ranged from folk ("Attenti al lupo") and pop ("Lunedi") to classical and opera ("Caruso").
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