安妮·夏洛特·克拉克（Anne Charlotte Clark）是英国诗人，歌手和作曲家。她的第一张专辑《 The Sitting Room》于1982年发行，此后她发行了十多张专辑。她与实验音乐家合作的诗歌作品所处的区域大致以电子，舞蹈和可能的前卫风格为界，具有各种硬朗，浪漫和管弦乐风格。
Clark was born the daughter of a Roman Catholic Irish mother, Cecilia and a mixed Scottish and Welsh Protestant father, Herbert. She has one brother, John and mentions in her spoken biography 'Notes Taken Traces Left' that her mother also had another son who died shortly after being born. From this biography there are also mentions of her two nephews. Clark recollects her childhood in her spoken biography as being "troubled but loving at the same time". At the age of 16, she left school. She took various jobs, one of which was as a nurse in a psychiatric hospital. Clark then got a job at the local record store (and label), Bonaparte Records. Punk rock was finding its way into London's music scene and perfectly matched her emotions.
Clark soon became involved with the Warehouse Theatre, an independently financed stage for bands, that was always low on cash. Although the theatre's owners initially objected to the strange, pierced punk scene characters and their leather outfits, she was able to successfully arrange the program. Clark managed to fill the theatre with artists like Paul Weller, Linton Kwesi Johnson, French & Saunders, The Durutti Column, Ben Watt (who later became a member of Everything But The Girl), and many others. She experimented with music and lyrics herself and first appeared on stage in Richard Strange's Cabaret Futura with Depeche Mode. Clark worked with Paul Weller to help set up Riot Stories. He had put up an article about helping young writers that had no chances of being signed up to major records. Clark said that at first the relationship was troubled due to him not replying to her letters. She announced "After a pretty heated letter calling out his rudeness, I received one back in the same tone." Clark subsequently goes on to talk about how the relationship ended up being a strong one, which still exists today.
In 1982, Clark published her first album, The Sitting Room, with songs written by herself, the album placed in 11th place on The Top 100 Albums of 1983. On the following albums, Changing Places (1983), Joined up Writing (1984) and Hopeless Cases (1987), Clark benefited from an acquaintance from the Warehouse: keyboardist David Harrow contributed all the music as the co-author and producer. The music created by Harrow that Clark read poetry to, such as "Sleeper in Metropolis," "Our Darkness," and "Wallies," have since been considered milestones of the 1980s and 1990s. David Harrow's music of "Our Darkness" is sampled in Benny Benassi's 2003 hit "Love is Gonna Save Us." The song was also the main feature in the 2016/17 Women's Versace catwalk. Our Darkness has been considered as one of the 20 best industrial records of all time. Factmag describe it as "An influential proto-house record". Clark mentions in her autobiography Notes Taken Traces Left that she has no vivid memory of the creative phase of Our Darkness however, clearly remembers the exact time and place of writing the words to her other club anthem hit Sleeper in Metropolis. Clark was set to start touring in the United States of America in the late 80's however, was subsequently in disagreements with Richard Branson which led her breakthrough in America to be cancelled. Nevertheless, Clark has become a very famous and well respected artist across Europe, especially in Germany where she has a cult following.
In 1985, Clark released the album Pressure Points. It was created in collaboration with John Foxx, who wrote the music and plays on the first five tracks.. The album features the song Heaven which was considered a moderately successful hit across Europe. The song was even meant to be a hit globally, but instead the promotion schedule for the single and subsequently, the album, lead for it to not be as successful as it could.
In 1987, Clark went to Norway for three years, where she worked with Tov Ramstad and Ida Baalsrud, among others. In co-operation with Charlie Morgan, she released the album Unstill Life in 1991 on SPV Records. Tracks included The Moment, Unstill Life, Abuse and Empty Me. This album was also released in the USA on Radikal Records. During 1992, she released a non-album collaboration on maxi-CD (SPV) with Ida Baalsrud, who both played the violin part and co-wrote If I Could; furthermore, there was also a remix of Our Darkness included on the last track of the CD. At the very end of 1992, in December, Charlie Morgan unexpectedly died of cancer at the age of only 36, which caused many planned collaboration projects to be abandoned.
After several months of reorientation, Clark eventually released The Law is an Anagram of Wealth in 1993, once again in collaboration with Tov Ramstad; the other musicians involved were Paul Downing, Martyn Bates (of the band Eyeless in Gaza), and Andy Bell (not of Erasure fame but talented musician and programmer) and completed a major European Tour.
Just one year later, in 1994, Clark ventured into a style that she had not experimented with before: acoustic music. This eventually culminated in the release of Psychometry (1994), which featured a concert recorded live on stage in the Passionskirche in Berlin-Kreuzberg.
Clark continuously followed her musical roots and the influences of folk and classical music. Her 1998 album, Just After Sunset, a collaboration with Martyn Bates, featured poems by German poet Rainer Maria Rilke translated into English. This album was re-released four years later in 2002 when Clark regained the rights to the album. The re-release included some additional video footage, although it was of rather poor quality.
In 2003, another album joined Clark's series of acoustic albums: From The Heart – Live In Bratislava, which she recorded together with Murat Parlak (vocals/piano), Jann Michael Engel (cello), Niko Lai (drums and percussion) and Jeff Aug (guitars) in Bratislava, Slovak Republic.
In 2005, Clark joined up with the Belgian act Implant for the album Self-inflicted, on which she delivered guest vocals. The album was released via Alfa Matrix Records, which in the meantime had become her home label outside of Germany. She also appeared on the Implant EP Too Many Puppies.
2006 saw Clark back again in the recording studio with Implant for the EP Fade Away, on which she delivered guest vocals and performed a duet with Leæther Strip's Claus Larsen. And she also appeared on the album Audioblender by Implant, again released via the Alfa Matrix record label.
In 2008 Clark was in Germany to record her next album The Smallest Act of Kindness, which was released in September 2008. This album was dedicated to her late mother Cecilia Ann Picton-Clark (nee. Murray). At the end of 2010, Clark released the first chapter of an ongoing project Past & Future Tense, the first release on her own label, After Hours Productions.
In January 2011 Clark contributed an arrangement of the Charles Baudelaire poem Enivrez-Vous (Be Drunk) to the audio book and radio play Die künstlichen Paradiese ("The artificial paradises"), (Hörbuch Hamburg/Radio Bremen).
In 2016, Clark announced she would take a year sabbatical, then in January 2017 collaborated on the song Donald Trump Praesidend (Quack Quack) with artist Ludwig.London, intended as a parody in light of the election of Donald Trump. In July 2017, Clark headlined the W Festival in Belgium alongside acts such as Peter Hook and others.
安妮·夏洛特·克拉克（Anne Charlotte Clark）是英国诗人，歌手和作曲家。她的第一张专辑《 The Sitting Room》于1982年发行，此后她发行了十多张专辑。她与实验音乐家合作的诗歌作品所处的区域大致以电子，舞蹈和可能的前卫风格为界，具有各种硬朗，浪漫和管弦乐风格。
Clark was born the daughter of a Roman Catholic Irish mother, Cecilia and a mixed Scottish and Welsh Protestant father, Herbert. She has one brother, John and mentions in her spoken biography 'Notes Taken Traces Left' that her mother also had another son who died shortly after being born. From this biography there are also mentions of her two nephews. Clark recollects her childhood in her spoken biography as being "troubled but loving at the same time". At the age of 16, she left school. She took various jobs, one of which was as a nurse in a psychiatric hospital. Clark then got a job at the local record store (and label), Bonaparte Records. Punk rock was finding its way into London's music scene and perfectly matched her emotions.
Clark soon became involved with the Warehouse Theatre, an independently financed stage for bands, that was always low on cash. Although the theatre's owners initially objected to the strange, pierced punk scene characters and their leather outfits, she was able to successfully arrange the program. Clark managed to fill the theatre with artists like Paul Weller, Linton Kwesi Johnson, French & Saunders, The Durutti Column, Ben Watt (who later became a member of Everything But The Girl), and many others. She experimented with music and lyrics herself and first appeared on stage in Richard Strange's Cabaret Futura with Depeche Mode. Clark worked with Paul Weller to help set up Riot Stories. He had put up an article about helping young writers that had no chances of being signed up to major records. Clark said that at first the relationship was troubled due to him not replying to her letters. She announced "After a pretty heated letter calling out his rudeness, I received one back in the same tone." Clark subsequently goes on to talk about how the relationship ended up being a strong one, which still exists today.
In 1982, Clark published her first album, The Sitting Room, with songs written by herself, the album placed in 11th place on The Top 100 Albums of 1983. On the following albums, Changing Places (1983), Joined up Writing (1984) and Hopeless Cases (1987), Clark benefited from an acquaintance from the Warehouse: keyboardist David Harrow contributed all the music as the co-author and producer. The music created by Harrow that Clark read poetry to, such as "Sleeper in Metropolis," "Our Darkness," and "Wallies," have since been considered milestones of the 1980s and 1990s. David Harrow's music of "Our Darkness" is sampled in Benny Benassi's 2003 hit "Love is Gonna Save Us." The song was also the main feature in the 2016/17 Women's Versace catwalk. Our Darkness has been considered as one of the 20 best industrial records of all time. Factmag describe it as "An influential proto-house record". Clark mentions in her autobiography Notes Taken Traces Left that she has no vivid memory of the creative phase of Our Darkness however, clearly remembers the exact time and place of writing the words to her other club anthem hit Sleeper in Metropolis. Clark was set to start touring in the United States of America in the late 80's however, was subsequently in disagreements with Richard Branson which led her breakthrough in America to be cancelled. Nevertheless, Clark has become a very famous and well respected artist across Europe, especially in Germany where she has a cult following.
In 1985, Clark released the album Pressure Points. It was created in collaboration with John Foxx, who wrote the music and plays on the first five tracks.. The album features the song Heaven which was considered a moderately successful hit across Europe. The song was even meant to be a hit globally, but instead the promotion schedule for the single and subsequently, the album, lead for it to not be as successful as it could.
In 1987, Clark went to Norway for three years, where she worked with Tov Ramstad and Ida Baalsrud, among others. In co-operation with Charlie Morgan, she released the album Unstill Life in 1991 on SPV Records. Tracks included The Moment, Unstill Life, Abuse and Empty Me. This album was also released in the USA on Radikal Records. During 1992, she released a non-album collaboration on maxi-CD (SPV) with Ida Baalsrud, who both played the violin part and co-wrote If I Could; furthermore, there was also a remix of Our Darkness included on the last track of the CD. At the very end of 1992, in December, Charlie Morgan unexpectedly died of cancer at the age of only 36, which caused many planned collaboration projects to be abandoned.
After several months of reorientation, Clark eventually released The Law is an Anagram of Wealth in 1993, once again in collaboration with Tov Ramstad; the other musicians involved were Paul Downing, Martyn Bates (of the band Eyeless in Gaza), and Andy Bell (not of Erasure fame but talented musician and programmer) and completed a major European Tour.
Just one year later, in 1994, Clark ventured into a style that she had not experimented with before: acoustic music. This eventually culminated in the release of Psychometry (1994), which featured a concert recorded live on stage in the Passionskirche in Berlin-Kreuzberg.
Clark continuously followed her musical roots and the influences of folk and classical music. Her 1998 album, Just After Sunset, a collaboration with Martyn Bates, featured poems by German poet Rainer Maria Rilke translated into English. This album was re-released four years later in 2002 when Clark regained the rights to the album. The re-release included some additional video footage, although it was of rather poor quality.
In 2003, another album joined Clark's series of acoustic albums: From The Heart – Live In Bratislava, which she recorded together with Murat Parlak (vocals/piano), Jann Michael Engel (cello), Niko Lai (drums and percussion) and Jeff Aug (guitars) in Bratislava, Slovak Republic.
In 2005, Clark joined up with the Belgian act Implant for the album Self-inflicted, on which she delivered guest vocals. The album was released via Alfa Matrix Records, which in the meantime had become her home label outside of Germany. She also appeared on the Implant EP Too Many Puppies.
2006 saw Clark back again in the recording studio with Implant for the EP Fade Away, on which she delivered guest vocals and performed a duet with Leæther Strip's Claus Larsen. And she also appeared on the album Audioblender by Implant, again released via the Alfa Matrix record label.
In 2008 Clark was in Germany to record her next album The Smallest Act of Kindness, which was released in September 2008. This album was dedicated to her late mother Cecilia Ann Picton-Clark (nee. Murray). At the end of 2010, Clark released the first chapter of an ongoing project Past & Future Tense, the first release on her own label, After Hours Productions.
In January 2011 Clark contributed an arrangement of the Charles Baudelaire poem Enivrez-Vous (Be Drunk) to the audio book and radio play Die künstlichen Paradiese ("The artificial paradises"), (Hörbuch Hamburg/Radio Bremen).
In 2016, Clark announced she would take a year sabbatical, then in January 2017 collaborated on the song Donald Trump Praesidend (Quack Quack) with artist Ludwig.London, intended as a parody in light of the election of Donald Trump. In July 2017, Clark headlined the W Festival in Belgium alongside acts such as Peter Hook and others.
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