As No-Man is an Island, Tim Bowness (b. Warrington, England) vocals/lyrics, met multi-instrumentalist Steve Wilson, guitar/bass/keys programming/mixing etc., through an avid interest in all kinds of music. Cross breeding is a particular forte, for example, it is not uncommon to hear a dance beat, a violin and a sprawling guitar solo on the same track. Influences range from Arvo Part to Talk Talk. For a time the duo were complimented by violinist Ben Coleman. Although several minor releases came in the mid-late eighties, it's really in 1990 the no-man catalogue begins with a cover of Donovan's "Colours." Next was the "Days in the Trees," now long since deleted, this remains one of no-man's most memorable recordings. In 1992 the band found themselves playing live shows with ex-Japan maestros Steve Jansen, Richard Barbieri and Mick Karn, who also guest on much of no-man's output beginning with 1993 debut Loveblows and Lovecries. For their second album, 1994 masterpiece Flowermouth, help was also enlisted in the form of Robert Fripp, his old colleague Mel Collins and jazz musician Ian Carr. The band were obviously not concerned with the realm of commercial activity, however, the album did contain moments that were more 'radio friendly', notably standout track "My Revenge on Seattle." Wild Opera also spawned an off-shoot semi-album, Dry Cleaning Ray. At present, both members have persued their various side projects: Porcupine Tree/Bass Communion - Wilson, Darkroom - Bowness (he also recorded excellent album Flame, with Richard Barbieri and World of Bright Futures with Samuel Smiles). Wilson has recently been engaged in production activities with Fish and his former colleages Marrilion, but these projects all lend to clogging up the progress of no-man; apart from the 1999 ep Carolina Skeletons and the reissue of late 80s work Speak, their forthcoming album has been just that for 3 years. Nonetheless this duo is far from done yet and the new year should see more from the band, as yet unheard by many deserving ears.