莎拉布莱曼灌录了一系列跨界音乐畅销专辑，新专辑《月光女神》美国地区发行首周就以50万张立即挂牌金唱片，并让莎拉首度进入Billboard流行专辑榜，同时三度荣登古典跨类榜之冠军专辑。《月光女神》在台湾才发行1个月，就已经打破白金唱片销售量。 　　Broadway star Sarah Brightman lends her ethereal, angelic vocals to another combination of classical and pop, resulting in a solid, stirring collection. This outing, the ex-Mrs. Andrew Lloyd Webber adapts Rachmaninov ("How Fare This Spot"), Beethoven ("Figlio Perduto"), and Handel ("Solo Con Te") alongside the brothers Gibb and Simon and Garfunkel. The uncanny thing is how canny Brightman is at bridging the contemporary with the classics so that they seem timeless. She brings touches of adult contemporary, rock, and even, surprisingly enough, techno to the mix; some of these songs, "Here With Me" in particular, are crying out to be remixed as dance songs. Her crystalline soprano leads you on a sentimental journey through "Scarborough Fair" then lilts through a playful "Hijo de la Luna" without missing a beat. Especially successful is the last track, "First of May," as it was recorded live in South Africa. It shows that Brightman's talent doesn't need the production so many contemporary vocalists need to sound phenomenal. There is something melancholy in her expressive voice and in the production of each song on this album, so that even if you don't understand the language of the lyrics, you're left feeling a bit nostalgic, and the effect is not that of much of the plastic A/C market but one of genuine emotion. She doesn't manipulate you into feeling; she actually moves you. Overall, this album achieves some beautiful highs without being over the top.