For decades it was presumed by fans that the posthumous Otis Redding (acoustic guitar/vocals) studio plattersThe Dock of the Bay(1968),The Immortal Otis Redding(1968),Love Man(1969), andTell the Truth(1970) had uncovered all the hidden and unreleased treasures from Redding's heartbreakingly brief yet appreciatively prolific career. Thankfully, archivistRoger Armstrong-- who is perhaps best known for his outstanding contributions to the U.K.-based Ace Records reissue imprint -- discovered nearly two dozen additional remnants and presents them on this single-disc anthology. As Stax Recordsauthority 　　Rob Bowmanpoints out in his insightful liner notes essay, the label did not keep precise ation concerning recording session dates and personnel. So, some detective (and possible guess) work was needed when chronologically placing a few of the lesser-known titles. That certainly doesn't detract from the experience of uncovering formerly shelved selections such as the greasy and unmistakable Memphis groove behind &Trick or Treat,& or the high-octane horn punctuations on the inaugural take of &Loving by the Pound& that are clearly in the vein of what would turn up as &Respect.& To demonstrate the evolutionary processes and the importance of his collaborative relationship withSteve Cropper(guitar) -- a second completely revamped approach rechristened &Pounds and Hundreds (LBs + 100s)& -- is offered midway through the compendium. Another treasure is the oft-rumored rendition of theachingly poignant &I've Got Dreams to Remember& featuring unique lyrics by Redding's wifeZelma Redding