Jazz In Paris: Lionel Hampton & His French New Sound, Vol. 2

发行时间:2001-06-05
发行公司:环球唱片
简介:  Lionel Hampton is joined by a number of top French jazz musicians plus Nat Adderley and American expatriate Benny Bailey for this 1955 studio session, playing Christian Chevalier's charts. "All the Things You Are" features the vibraphonist with the rhythm section, with strong solo efforts by guitarist Sacha Distel and pianist René Urtreger, along with the leader. The low-key, lengthy treatment of "I Cover the Waterfront" almost suggests a Jazz at the Philharmonic session, showcasing nice features for trumpeter Bernard Hullin, tenor saxophonist Maurice MeunierUrtreger, and Hampton. Things finally seem to loosen up with Hampton's swinging riff tune "Red Ribbon," with the solid rhythm and powerful brass and reeds igniting the vibraphonist, who trades solos with several players, including French horn playerDave Amram. "Night and Day," like "I Cover the Waterfront," is stretched out considerably, but benefits from a brisker setting. A long overlooked recording, this laudable date was finally reissued by Universal in 2000 as a part of its very affordable Jazz in Paris series.
  Lionel Hampton is joined by a number of top French jazz musicians plus Nat Adderley and American expatriate Benny Bailey for this 1955 studio session, playing Christian Chevalier's charts. "All the Things You Are" features the vibraphonist with the rhythm section, with strong solo efforts by guitarist Sacha Distel and pianist René Urtreger, along with the leader. The low-key, lengthy treatment of "I Cover the Waterfront" almost suggests a Jazz at the Philharmonic session, showcasing nice features for trumpeter Bernard Hullin, tenor saxophonist Maurice MeunierUrtreger, and Hampton. Things finally seem to loosen up with Hampton's swinging riff tune "Red Ribbon," with the solid rhythm and powerful brass and reeds igniting the vibraphonist, who trades solos with several players, including French horn playerDave Amram. "Night and Day," like "I Cover the Waterfront," is stretched out considerably, but benefits from a brisker setting. A long overlooked recording, this laudable date was finally reissued by Universal in 2000 as a part of its very affordable Jazz in Paris series.