Anne-Sophie Mutter's recording of Lalo's Symphonie Espagnole remains the most satisfying recording of this piece. Most recordings suffer from being at one of two extremes: too light and feminine, lacking in the dramatic Spanish bravura the piece needs (Chee-Yun and Chang); or overly masculine and serious, missing the playful fun Lalo crafted into the piece (Zuckerman and Perlman). Mutter's performance strikes a perfect balance between these two extremes, succeeding in conveying passionate fervor without losing sight of the humerous romp that it is.