In This House, On This Morning

发行时间:1994-07-29
发行公司:索尼音乐
简介:  by Scott YanowFor this double CD, trumpeter Wynton Marsalis musically depicts in three parts a lengthy Sunday church service with program music composed for each of the traditional activities. The set does take quite awhile to get going with much of the first two parts consisting of introductions and transitions to themes that never seem to arrive. There are some exceptions, particularly Marsalis' violent trumpet distortions on "Call to Prayer," a spirited New Orleans blues and Todd Williams' tenor solo on another blues. However it is the third section that is most notable. The 28-minute "In the Sweet Embrace of Life" instrumentally portrays a preacher giving a heated sermon, building up to a very feverish level. Marsalis' model in his writing is clearly Duke Ellington. Trombonist Wycliffe Gordon is an expert with mutes and Todd Williams is able to hint at both Paul Gonsalves on tenor and Dixieland clarinetists on soprano while altoist Wes Anderson and pianist Eric Reed are also major assets to the septet. Due to the memorable final section, this lengthy work is one of the high points of his career thus far.
  by Scott YanowFor this double CD, trumpeter Wynton Marsalis musically depicts in three parts a lengthy Sunday church service with program music composed for each of the traditional activities. The set does take quite awhile to get going with much of the first two parts consisting of introductions and transitions to themes that never seem to arrive. There are some exceptions, particularly Marsalis' violent trumpet distortions on "Call to Prayer," a spirited New Orleans blues and Todd Williams' tenor solo on another blues. However it is the third section that is most notable. The 28-minute "In the Sweet Embrace of Life" instrumentally portrays a preacher giving a heated sermon, building up to a very feverish level. Marsalis' model in his writing is clearly Duke Ellington. Trombonist Wycliffe Gordon is an expert with mutes and Todd Williams is able to hint at both Paul Gonsalves on tenor and Dixieland clarinetists on soprano while altoist Wes Anderson and pianist Eric Reed are also major assets to the septet. Due to the memorable final section, this lengthy work is one of the high points of his career thus far.
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