Lynott was introduced to music through his uncle Timothy's record collection, and became influenced by Tamla Motown and The Mamas & the Papas. He joined his first band, the Black Eagles in 1965 as a lead singer, playing popular covers in local clubs around Dublin.He attended the Christian Brothers School in Crumlin, where he became friends with Brian Downey, who was later persuaded to join the band from the Liffey Beats.The group fell apart due to the lack of interest of manager Joe Smith, particularly after the departure of his two sons, guitarists Danny and Frankie
Lynott then left the family home and moved into a flat in Clontarf, where he briefly joined 'Kama Sutra'. It was in this band that he learned his frontman skills, and worked out how to interact with an audience.In early 1968, he teamed up with bassist Brendan 'Brush' Shiels to form Skid Row. Shiels also wanted Brian Downey to play drums in the band, but Downey wasn't interested in the band's style, so the job went to Noel Bridgeman instead.The band signed a deal with Ted Carroll, who would later go on to manage Thin Lizzy, and played a variety of covers including "Eight Miles High", "Hey Jude" and several numbers by Jimi Hendrix.[16] Because Lynott did not play an instrument at this point in his career, he instead manipulated his voice through an echo box during instrumental sections. He also took to smearing boot polish under his eyes on stage, which he would continue to do throughout Lizzy's career later on, and regularly performed a mock fight with Shiels onstage to attract the crowd.In mid 1968, guitarist Bernard Cheevers quit to work full-time at the Guinness factory in Dublin, and was replaced by Belfast-born guitarist Gary Moore.
Despite increased success, and the release of a single, New Faces, Old Places, Shiels became concerned about Lynott's tendency to sing off-key. He then discovered that the problem was with Lynott's tonsils; he subsequently took a leave of absence from the band. By the time he had recovered, Shiels had decided to take over singing lead and reduce the band to a three piece. Feeling guility of having effectively sacked one of his best friends, he taught Lynott how to play bass, figuring it would be easier to learn than a six string guitar, and sold him a Fender Jazz Bass he had bought from Robert Ballagh for £36, and started giving him lessons.
Lynott and Brian Downey quickly put together a new band called 'Orphanage', with guitarist Joe Staunton and bassist Pat Quigley, playing a mixture of original material alongside covers of Bob Dylan, Free and Jeff Beck.[20] Still learning the bass, Lynott restricted himself to occasional rhythm guitar alongside singing lead.
At the end of 2006 a number of Skid Row and Orphanage demo tapes featuring Phil Lynott were discovered. These were his earliest recordings and had been presumed lost for decades.
Lynott was introduced to music through his uncle Timothy's record collection, and became influenced by Tamla Motown and The Mamas & the Papas. He joined his first band, the Black Eagles in 1965 as a lead singer, playing popular covers in local clubs around Dublin.He attended the Christian Brothers School in Crumlin, where he became friends with Brian Downey, who was later persuaded to join the band from the Liffey Beats.The group fell apart due to the lack of interest of manager Joe Smith, particularly after the departure of his two sons, guitarists Danny and Frankie
Lynott then left the family home and moved into a flat in Clontarf, where he briefly joined 'Kama Sutra'. It was in this band that he learned his frontman skills, and worked out how to interact with an audience.In early 1968, he teamed up with bassist Brendan 'Brush' Shiels to form Skid Row. Shiels also wanted Brian Downey to play drums in the band, but Downey wasn't interested in the band's style, so the job went to Noel Bridgeman instead.The band signed a deal with Ted Carroll, who would later go on to manage Thin Lizzy, and played a variety of covers including "Eight Miles High", "Hey Jude" and several numbers by Jimi Hendrix.[16] Because Lynott did not play an instrument at this point in his career, he instead manipulated his voice through an echo box during instrumental sections. He also took to smearing boot polish under his eyes on stage, which he would continue to do throughout Lizzy's career later on, and regularly performed a mock fight with Shiels onstage to attract the crowd.In mid 1968, guitarist Bernard Cheevers quit to work full-time at the Guinness factory in Dublin, and was replaced by Belfast-born guitarist Gary Moore.
Despite increased success, and the release of a single, New Faces, Old Places, Shiels became concerned about Lynott's tendency to sing off-key. He then discovered that the problem was with Lynott's tonsils; he subsequently took a leave of absence from the band. By the time he had recovered, Shiels had decided to take over singing lead and reduce the band to a three piece. Feeling guility of having effectively sacked one of his best friends, he taught Lynott how to play bass, figuring it would be easier to learn than a six string guitar, and sold him a Fender Jazz Bass he had bought from Robert Ballagh for £36, and started giving him lessons.
Lynott and Brian Downey quickly put together a new band called 'Orphanage', with guitarist Joe Staunton and bassist Pat Quigley, playing a mixture of original material alongside covers of Bob Dylan, Free and Jeff Beck.[20] Still learning the bass, Lynott restricted himself to occasional rhythm guitar alongside singing lead.
At the end of 2006 a number of Skid Row and Orphanage demo tapes featuring Phil Lynott were discovered. These were his earliest recordings and had been presumed lost for decades.