by Richie Unterberger
One of Minneapolis most popular 60s bands, the Litter are most known for their classic 1967 garage rock single Action Woman. With its demonic fuzz/feedback guitar riffs and cocky, snarling lead vocal, it was an archetype of the tough 60s garage rock favored by fans of the Pebbles reissue series. In fact, the single, which got some airplay in Minnesota in early 1967 and then was largely forgotten, didnt reach an international audience until it became cut one, Side One on Volume One of Pebbles in the late 70s. It now has a place of honor on the Nuggets box set. The Litter were a little more successful and long-lived than the average regional garage band, recording a few albums, the last one for a major label, and evolving into a more progressive hard rock outfit before disbanding around the end of the 60s.
The Litter was formed by members of two Minneapolis area mid-60s groups, the Victors and the Tabs. (A few songs recorded by the Victors in late 1965 can be heard on the compilation The Scotty Story.) Heavily influenced by the fiercest British Invasion bands, such as the Yardbirds and the Who, they recorded their debut single, Action Woman/A Legal Matter, with local producer Warren Kendrick in late 1966. Action Woman, in fact, was not a Litter original, but a Kendrick composition. Bill Strandlof, who had played the searing guitar lead on Action Woman, was replaced by Tom Zippy Caplan in the spring of 1967, just before they recorded most of the tracks that comprised their debut album. Leaning heavily on covers of songs by British bands like the Yardbirds, the Who, and Small Faces, Distortions was nevertheless a prime example of sixties garage rock at its most powerful. With the garage rock revival this local release became a coveted collectors item, and has since been reissued several times.
Like many bands in the late 60s, the Litter subsequently went into a more psychedelic/hard rock direction. Their second album, 11740$100 Fine, put more weight on original material, although their sound was growing more generic. Around this time the Litter missed out on some potential big opportunities, turning down offers from both Elektra and Columbia. They appear in a 1968 Chicago psychedelic nightclub scene in political filmmaker Haskell Wexlers classic movie Medium Cool, but only super-briefly; although theyre shown playing onstage, the soundtrack includes none of their music, with the Mothers of Inventions Flower Punk overdubbed onto the scene. By the time they did get onto a major label for the 1969 album Emerge (on ABC), Caplan and original lead singer Denny Waite had been replaced, and their hard rock sound had become less distinguished. The Litter have reunited and sometimes continued to play and record, with different lineups, into the 90s.
by Richie Unterberger
One of Minneapolis most popular 60s bands, the Litter are most known for their classic 1967 garage rock single Action Woman. With its demonic fuzz/feedback guitar riffs and cocky, snarling lead vocal, it was an archetype of the tough 60s garage rock favored by fans of the Pebbles reissue series. In fact, the single, which got some airplay in Minnesota in early 1967 and then was largely forgotten, didnt reach an international audience until it became cut one, Side One on Volume One of Pebbles in the late 70s. It now has a place of honor on the Nuggets box set. The Litter were a little more successful and long-lived than the average regional garage band, recording a few albums, the last one for a major label, and evolving into a more progressive hard rock outfit before disbanding around the end of the 60s.
The Litter was formed by members of two Minneapolis area mid-60s groups, the Victors and the Tabs. (A few songs recorded by the Victors in late 1965 can be heard on the compilation The Scotty Story.) Heavily influenced by the fiercest British Invasion bands, such as the Yardbirds and the Who, they recorded their debut single, Action Woman/A Legal Matter, with local producer Warren Kendrick in late 1966. Action Woman, in fact, was not a Litter original, but a Kendrick composition. Bill Strandlof, who had played the searing guitar lead on Action Woman, was replaced by Tom Zippy Caplan in the spring of 1967, just before they recorded most of the tracks that comprised their debut album. Leaning heavily on covers of songs by British bands like the Yardbirds, the Who, and Small Faces, Distortions was nevertheless a prime example of sixties garage rock at its most powerful. With the garage rock revival this local release became a coveted collectors item, and has since been reissued several times.
Like many bands in the late 60s, the Litter subsequently went into a more psychedelic/hard rock direction. Their second album, 11740$100 Fine, put more weight on original material, although their sound was growing more generic. Around this time the Litter missed out on some potential big opportunities, turning down offers from both Elektra and Columbia. They appear in a 1968 Chicago psychedelic nightclub scene in political filmmaker Haskell Wexlers classic movie Medium Cool, but only super-briefly; although theyre shown playing onstage, the soundtrack includes none of their music, with the Mothers of Inventions Flower Punk overdubbed onto the scene. By the time they did get onto a major label for the 1969 album Emerge (on ABC), Caplan and original lead singer Denny Waite had been replaced, and their hard rock sound had become less distinguished. The Litter have reunited and sometimes continued to play and record, with different lineups, into the 90s.
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