by Jason AnkenyCommercial success proved frustratingly elusive, but Willie Tee remains an institution of the New Orleans music scene. A powerfully expressive vocalist and pianist rooted in the traditions of Crescent City R&B and jazz, his mid-60s soul sides are acknowledged classics on the Carolinas beach music circuit. Born Wilson Turbinton on February 6, 1944, in New Orleans, he began playing piano at age three, no doubt inspired by older brother Earls studies of saxophone and flute. In 1952, the Turbintons relocated to the citys Calliope Street housing projects, where Willie and Earl were regularly exposed to the music and dancing of the Native Americans dominant in the area; in 1960, the brothers formed their first group, the Seminoles, launching their career in local talent shows. At school, Willie also fell under the influence of his music teacher, Harold Battiste, who with the permission of the boys parents, added Turbinton to his jazz combo the AFO Band (All for One), whose roster also included legendary pianist Ellis Marsalis. For Battistes AFO label, the newly rechristened Willie Tee also recorded his 1962 debut single, Always Accused — though not a hit, the record immediately established the buoyant marriage of R&B and jazz that would remain his signature throughout much of his career.After leaving AFO, Tee formed the Souls with bassist George Davis and drummer David Lee; he then signed with Nola, a new label formed by his cousin, Ulis Gaines; journalist Clint Scott; and producer/arranger Wardell Quezergue. Tees 1965 Nola debut, Teasin You, not only became the labels first local hit, but somehow its notoriety spread to Los Angeles; when blue-eyed soul hitmakers the Righteous Brothers performed the song on TVs Shindig!, Atlantic licensed Tees original for national distribution. Backed by the superb Walking up a One-Way Street, the single barely squeaked onto the pop charts but fell just shy of the R&B Top Ten at number 12. The follow-up, Thank You John, failed to chart but remains a certified beach music classic. (The song was later popularized by Alex Chilton.) After the funky I Want Somebody (To Show Me the Way Back Home) also missed the charts, Atlantic released Tee from his contract, and his next single, Please Dont Go, appeared on Nolas Hot-Line subsidiary. The Marvin Gaye-inspired Aint That True Baby also earned little notice outside of New Orleans, and in 1968 Nola closed its doors; Tee and Gaines then formed Gatur Records, with the formers I Peeped Your Hole Card causing few ripples. Tee shifted gears in 1969, co-writing and producing New Orleans soul chanteuse Margie Josephs cult classic One More Chance for the Stax subsidiary Volt. He also reunited with brother Earl in the Jazz Workshop, where his piano prowess caught the attention of the great Cannonball Adderley and helped him earn a deal with Capitol; Tees first-ever LP, Im Only a Man, appeared in 1970, but his Capitol stay proved short-lived and he and Gaines soon reactivated Gatur with the lush ballad The Man That I Am. Subsequent singles like Your Love and My Love Together and the galvanizing instrumental Swivel Your Hips documented a shift toward a funkier, harder-edged sound. In 1973, Tee was approached to assemble a backing band for a session headlined by the Wild Magnolias Mardi Gras Indian Group, bringing him back to the Native American music that was among his formative influences; recruiting brother Earl and guitarist Snooks Eaglin, he composed new material based on traditional Native chants as well as rearranging a handful of traditional New Orleans classics to incorporate elements of funk and Afro-Cuban music. The resulting LP, 1973s The Wild Magnolias, remains a landmark in Crescent City music history, and is credited with helping introduce the unique Native American Mardi Gras culture to the rest of the world. In 1976, Willie Tee signed with United Artists to release his second LP, Anticipation; fusing traditional up-tempo soul with contemporary disco arrangements, the record again failed to make any kind of commercial impact, and he never again recorded for a major label. Tee and backing band the Gaturs nevertheless remained a staple of the New Orleans club scene; he also renewed his professional relationship with older brother Earl, and Willie even reclaimed the family surname for 1988s Turbinton Brothers, a jazz date for Rounder. In the decade to follow, Tee was rediscovered by the DJs and dancers populating Britains Northern soul club scene, and in the mid-90s began making the occasional trip overseas, including an enthusiastically received appearance at the renowned Jazz Café. He was also feted by the hip-hop community, with the Gaturs Concentrate sampled by Sean Puffy Combs and the Wild Magnolias Smoke My Peace Pipe bit by the Geto Boys. Tees classic Nola/Atlantic sides were finally collected in 2002 on the Night Train compilation Teasin You. In September 2007 Tee passed away from complications of colon cancer.
by Jason AnkenyCommercial success proved frustratingly elusive, but Willie Tee remains an institution of the New Orleans music scene. A powerfully expressive vocalist and pianist rooted in the traditions of Crescent City R&B and jazz, his mid-60s soul sides are acknowledged classics on the Carolinas beach music circuit. Born Wilson Turbinton on February 6, 1944, in New Orleans, he began playing piano at age three, no doubt inspired by older brother Earls studies of saxophone and flute. In 1952, the Turbintons relocated to the citys Calliope Street housing projects, where Willie and Earl were regularly exposed to the music and dancing of the Native Americans dominant in the area; in 1960, the brothers formed their first group, the Seminoles, launching their career in local talent shows. At school, Willie also fell under the influence of his music teacher, Harold Battiste, who with the permission of the boys parents, added Turbinton to his jazz combo the AFO Band (All for One), whose roster also included legendary pianist Ellis Marsalis. For Battistes AFO label, the newly rechristened Willie Tee also recorded his 1962 debut single, Always Accused — though not a hit, the record immediately established the buoyant marriage of R&B and jazz that would remain his signature throughout much of his career.After leaving AFO, Tee formed the Souls with bassist George Davis and drummer David Lee; he then signed with Nola, a new label formed by his cousin, Ulis Gaines; journalist Clint Scott; and producer/arranger Wardell Quezergue. Tees 1965 Nola debut, Teasin You, not only became the labels first local hit, but somehow its notoriety spread to Los Angeles; when blue-eyed soul hitmakers the Righteous Brothers performed the song on TVs Shindig!, Atlantic licensed Tees original for national distribution. Backed by the superb Walking up a One-Way Street, the single barely squeaked onto the pop charts but fell just shy of the R&B Top Ten at number 12. The follow-up, Thank You John, failed to chart but remains a certified beach music classic. (The song was later popularized by Alex Chilton.) After the funky I Want Somebody (To Show Me the Way Back Home) also missed the charts, Atlantic released Tee from his contract, and his next single, Please Dont Go, appeared on Nolas Hot-Line subsidiary. The Marvin Gaye-inspired Aint That True Baby also earned little notice outside of New Orleans, and in 1968 Nola closed its doors; Tee and Gaines then formed Gatur Records, with the formers I Peeped Your Hole Card causing few ripples. Tee shifted gears in 1969, co-writing and producing New Orleans soul chanteuse Margie Josephs cult classic One More Chance for the Stax subsidiary Volt. He also reunited with brother Earl in the Jazz Workshop, where his piano prowess caught the attention of the great Cannonball Adderley and helped him earn a deal with Capitol; Tees first-ever LP, Im Only a Man, appeared in 1970, but his Capitol stay proved short-lived and he and Gaines soon reactivated Gatur with the lush ballad The Man That I Am. Subsequent singles like Your Love and My Love Together and the galvanizing instrumental Swivel Your Hips documented a shift toward a funkier, harder-edged sound. In 1973, Tee was approached to assemble a backing band for a session headlined by the Wild Magnolias Mardi Gras Indian Group, bringing him back to the Native American music that was among his formative influences; recruiting brother Earl and guitarist Snooks Eaglin, he composed new material based on traditional Native chants as well as rearranging a handful of traditional New Orleans classics to incorporate elements of funk and Afro-Cuban music. The resulting LP, 1973s The Wild Magnolias, remains a landmark in Crescent City music history, and is credited with helping introduce the unique Native American Mardi Gras culture to the rest of the world. In 1976, Willie Tee signed with United Artists to release his second LP, Anticipation; fusing traditional up-tempo soul with contemporary disco arrangements, the record again failed to make any kind of commercial impact, and he never again recorded for a major label. Tee and backing band the Gaturs nevertheless remained a staple of the New Orleans club scene; he also renewed his professional relationship with older brother Earl, and Willie even reclaimed the family surname for 1988s Turbinton Brothers, a jazz date for Rounder. In the decade to follow, Tee was rediscovered by the DJs and dancers populating Britains Northern soul club scene, and in the mid-90s began making the occasional trip overseas, including an enthusiastically received appearance at the renowned Jazz Café. He was also feted by the hip-hop community, with the Gaturs Concentrate sampled by Sean Puffy Combs and the Wild Magnolias Smoke My Peace Pipe bit by the Geto Boys. Tees classic Nola/Atlantic sides were finally collected in 2002 on the Night Train compilation Teasin You. In September 2007 Tee passed away from complications of colon cancer.
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