Víctor Hugo Díaz (August 10, 1927 in Santiago del Estero, Argentina - October 23, 1977 in Buenos Aires, Argentina) was a tango, folklore and jazz harmonicist.   Díaz was born to a poor family in the small city of Santiago del Estero. At the age of five he lost his sight when hit by a soccer ball, which led him to play the harmonica. Two years later, after surgery restored his eyesight, he was already performing regularly for a local radio.   In spite of a highly successful career, he remained loyal to his youth's companions, such as the Abalos brothers and percussionist Domingo Cura with whom Díaz recorded on many occasions. His debut in Buenos Aires c. 1944 resulted in a series of record contracts with Odeon Records, TK Records, Jockey and later RCA Records. Although mostly known for his tango performances, his music has deep rural roots, above all in the provincial folkloric music he grew up with: chacareras, zambas and milongas camperas.   In 1953 during a European tour, Hugo Díaz met with two admired musicians in Belgium: Larry Adler and Toots Thielemans. The admiration was mutual.[citation needed]   He also played in the United States with Louis Armstrong and Oscar Peterson, and in La Scala, Milan with Renata Tebaldi and Mario del Monaco.   Díaz recorded the most important part of his Tango musical legacy during the 1970s. His first three albums (Hugo Diaz en Buenos Aires) were not   recorded until 1972, 1973 and 1974 and in 1975 he made his last tango album (Hugo Díaz para Gardel 40 Años Despues)   He died on October 23, 1977.
  Víctor Hugo Díaz (August 10, 1927 in Santiago del Estero, Argentina - October 23, 1977 in Buenos Aires, Argentina) was a tango, folklore and jazz harmonicist.   Díaz was born to a poor family in the small city of Santiago del Estero. At the age of five he lost his sight when hit by a soccer ball, which led him to play the harmonica. Two years later, after surgery restored his eyesight, he was already performing regularly for a local radio.   In spite of a highly successful career, he remained loyal to his youth's companions, such as the Abalos brothers and percussionist Domingo Cura with whom Díaz recorded on many occasions. His debut in Buenos Aires c. 1944 resulted in a series of record contracts with Odeon Records, TK Records, Jockey and later RCA Records. Although mostly known for his tango performances, his music has deep rural roots, above all in the provincial folkloric music he grew up with: chacareras, zambas and milongas camperas.   In 1953 during a European tour, Hugo Díaz met with two admired musicians in Belgium: Larry Adler and Toots Thielemans. The admiration was mutual.[citation needed]   He also played in the United States with Louis Armstrong and Oscar Peterson, and in La Scala, Milan with Renata Tebaldi and Mario del Monaco.   Díaz recorded the most important part of his Tango musical legacy during the 1970s. His first three albums (Hugo Diaz en Buenos Aires) were not   recorded until 1972, 1973 and 1974 and in 1975 he made his last tango album (Hugo Díaz para Gardel 40 Años Despues)   He died on October 23, 1977.
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Hugo Diaz
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