费德里科·蒙波，西班牙加泰隆尼亚作曲家。他的创作受到印象主义音乐以及埃里克·萨蒂的简约风格影响，十分恬淡安逸，而又带着淡淡的西班牙气质。他不写作大型作品，所作基本上都是钢琴曲、歌曲、吉他曲等小规模作品。由于其独特的风格，蒙波的音乐在20世纪乐坛占有一定的地位，并获得过不少奖项。 　　Mompou was born in Barcelona to the lawyer Frederic Mompou and his wife Josefina Dencausse, who was of French origin. His brother Josep Mompou [es] (1888–1968) became a painter. His sketch of a simple farmhouse appeared on the covers of all of Frederic's published music. 　　Mompou studied piano under Pedro Serra at the Conservatori Superior de Música del Liceu before going to Paris, to study at the Conservatoire de Paris, which was headed by Gabriel Fauré. Mompou had heard Fauré perform in Barcelona when he was nine years old, and his music and performing style had made a powerful and lasting impression on him He had a letter of introduction to Fauré from Enrique Granados, but it never reached its intended recipient. He entered the Conservatoire (with another Spaniard, José Iturbi), but studied with Isidor Philipp, head of the piano department. He also took private piano lessons with Ferdinand Motte-Lacroix and harmony and composition lessons with Marcel Samuel-Rousseau. His extreme shyness, introspection and self-effacement meant that he could not pursue a solo career, but chose to devote himself to composition instead. In 1917 he returned to Barcelona, fleeing the war. His first published work, Cants magics, appeared in 1920, mainly as a result of the advocacy of his friend Agustin Quintas. 　　Mompou returned to Paris in 1921, by which time his music was being regularly performed publicly, by his former teacher Motte-Lacroix and others, and he found himself the darling of Paris.In 1921, his Scènes d'enfants (1915–18), performed by Motte-Lacroix, inspired the French critic Émile Vuillermoz to proclaim Mompou "the only disciple and successor" to Claude Debussy.Mompou himself often performed his own compositions, but only at private soirees, never in public. However, his time in Paris was not easy. He published no music between 1931 and 1941, when he left for his native Catalonia, fleeing the German occupation of Paris. In that time, his father died and his brother became seriously ill. The Spanish Civil War troubled him greatly. His personal financial situation was often dire enough to lead him away from music and into various business ventures, including an attempt to revive the traditional family bell foundry. Kenneth MacMillan's ballet La Casa de los Pájaros (The House of Birds), set to orchestrations by John Lanchbery of various piano pieces by Mompou, was premiered at Sadler's Wells in London in 1955 and was also staged at the 4th Festival de Música y Danza at Granada. 　　In 1956 appeared Don Perlimpin (also seen as Don Perlimpinada), a ballet written in collaboration between Mompou and Xavier Montsalvatge and based on a play by Lorca. Most of the music was by Mompou, but Montsalvatge helped with the orchestration and linking passages and added two numbers of his own. 　　In 1957, aged 64, Mompou married the pianist Carmen Bravo (c.1923[5] – 29 April 2007). She was 30 years his junior. It was the first marriage for both of them and they had no children.