by Johnny Loftus
Ari Hest became interested in music while still a teenager growing up in the Bronx. Though he'd taken piano lessons as a child, he taught himself how to play the guitar, mostly by listening to records from his parents' collection (Paul Simon) and alternative radio (Pearl Jam, Dave Matthews). While studying at NYU, Hest hit the East Coast college circuit, performing a mix of covers and his own material. The exposure built him a respectable regional following, which he nurtured with self-released albums in 2001 and 2002 (Coming Home and Story After Story, respectively). Hest signed with Columbia Records in 2003 and issued Someone to Tell a year later. Created with producer David Rolfe, the album was a mix of new and re-recorded material and fit comfortably into the well-appointed adult alternative territory of artists like Josh Kelley and John Mayer. The Green Room Sessions, an EP on which Hest played all the instruments and was recorded and mixed on the popular, free program GarageBand, came out in 2006, and was followed the year after by another full-length Columbia release, The Break-In.
by Johnny Loftus
Ari Hest became interested in music while still a teenager growing up in the Bronx. Though he'd taken piano lessons as a child, he taught himself how to play the guitar, mostly by listening to records from his parents' collection (Paul Simon) and alternative radio (Pearl Jam, Dave Matthews). While studying at NYU, Hest hit the East Coast college circuit, performing a mix of covers and his own material. The exposure built him a respectable regional following, which he nurtured with self-released albums in 2001 and 2002 (Coming Home and Story After Story, respectively). Hest signed with Columbia Records in 2003 and issued Someone to Tell a year later. Created with producer David Rolfe, the album was a mix of new and re-recorded material and fit comfortably into the well-appointed adult alternative territory of artists like Josh Kelley and John Mayer. The Green Room Sessions, an EP on which Hest played all the instruments and was recorded and mixed on the popular, free program GarageBand, came out in 2006, and was followed the year after by another full-length Columbia release, The Break-In.