Stanley Wilson (November 25, 1917 – July 12, 1970) was an American musical conductor, arranger and film composer. Wilson was one of the most prolific collaborators in the Hollywood music industry for more than three decades. The creator of original themes and incidental music for several TV series, he also composed, arranged, or orchestrated more than 100 films.   Following World War II, he joined the MGM music department in 1945, moving a year later to Republic Pictures, where he wrote scores for countless B-movies and serials for the next twelve years. While at Republic, he provided the music support for classic serials as King of the Rocket Men and Zombies of the Stratosphere, as well in exciting adventures featuring western heroes as Rex Allen, Wild Bill Elliott, Allan Lane and Roy Rogers.   In the late 1950s, Wilson became the new television branch of MCA, Inc's. Revue Studios unit as head of creative activities, taking charge of creating music behind all of the studio's productions, hiring and assigning different composers, arrangers, orchestrators and conductors, which were often rolled into a single job. Wilson was one of the first to hire composers and musicians without regard to their cultural diversity. Wilson integrated television music. As an executive, Wilson employed significant composers as Pete Rugolo, John Williams, Elmer Bernstein, Juan García Esquivel, Dave Grusin, Quincy Jones, Henry Mancini, Oliver Nelson and Lalo Schifrin, among others.   Toward the end of his career with Universal, he began to dedicate more of his own time to specific shows, composing themes and much of the background music for It Takes a Thief, Wagon Train and The Bold Ones, General Electric Theatre, Markham, Tales of Wells Fargo, among others. In 1955 Wilson wrote an arrangement of Gounod's "Funeral March of a Marionette" as the theme music for Alfred Hitchcock Presents.   Wilson also was the music director for M Squad, the police series starring Lee Marvin, working in collaboration with Count Basie, Sonny Burke, Pete Carpenter, Benny Carter and John Williams. Wilson composed the theme music for the first season, winning the 1959 Grammy Award for the Best Soundtrack Album and Background Score from Motion Picture or Television. For the second and third seasons, he entrusted Basie to compose a new theme.   Wilson, along with Esquivel, composed the now famous Revue Studios/Universal Television fanfare, which lasted for nearly three decades.   Wilson traveled to France in 1963 to record the soundtrack to the television special, Princess Grace's Monaco. After the shooting was finished, he arranged and conducted The World of Sights and Sounds, Stop One: Paris, an album of French standards. This time Wilson was accompanied by a small jazz combo fronted by M Squad colleague and jazz legend, Benny Carter, and included a string section orchestra and a wordless vocal choir led by Michel Legrand's sister, Christiane.   In 1967 Wilson co-produced, with Robert Wagner, a documentary film entitled The World Goes On. It was to be a pilot for the documentation of music festivals worldwide.
  Stanley Wilson (November 25, 1917 – July 12, 1970) was an American musical conductor, arranger and film composer. Wilson was one of the most prolific collaborators in the Hollywood music industry for more than three decades. The creator of original themes and incidental music for several TV series, he also composed, arranged, or orchestrated more than 100 films.   Following World War II, he joined the MGM music department in 1945, moving a year later to Republic Pictures, where he wrote scores for countless B-movies and serials for the next twelve years. While at Republic, he provided the music support for classic serials as King of the Rocket Men and Zombies of the Stratosphere, as well in exciting adventures featuring western heroes as Rex Allen, Wild Bill Elliott, Allan Lane and Roy Rogers.   In the late 1950s, Wilson became the new television branch of MCA, Inc's. Revue Studios unit as head of creative activities, taking charge of creating music behind all of the studio's productions, hiring and assigning different composers, arrangers, orchestrators and conductors, which were often rolled into a single job. Wilson was one of the first to hire composers and musicians without regard to their cultural diversity. Wilson integrated television music. As an executive, Wilson employed significant composers as Pete Rugolo, John Williams, Elmer Bernstein, Juan García Esquivel, Dave Grusin, Quincy Jones, Henry Mancini, Oliver Nelson and Lalo Schifrin, among others.   Toward the end of his career with Universal, he began to dedicate more of his own time to specific shows, composing themes and much of the background music for It Takes a Thief, Wagon Train and The Bold Ones, General Electric Theatre, Markham, Tales of Wells Fargo, among others. In 1955 Wilson wrote an arrangement of Gounod's "Funeral March of a Marionette" as the theme music for Alfred Hitchcock Presents.   Wilson also was the music director for M Squad, the police series starring Lee Marvin, working in collaboration with Count Basie, Sonny Burke, Pete Carpenter, Benny Carter and John Williams. Wilson composed the theme music for the first season, winning the 1959 Grammy Award for the Best Soundtrack Album and Background Score from Motion Picture or Television. For the second and third seasons, he entrusted Basie to compose a new theme.   Wilson, along with Esquivel, composed the now famous Revue Studios/Universal Television fanfare, which lasted for nearly three decades.   Wilson traveled to France in 1963 to record the soundtrack to the television special, Princess Grace's Monaco. After the shooting was finished, he arranged and conducted The World of Sights and Sounds, Stop One: Paris, an album of French standards. This time Wilson was accompanied by a small jazz combo fronted by M Squad colleague and jazz legend, Benny Carter, and included a string section orchestra and a wordless vocal choir led by Michel Legrand's sister, Christiane.   In 1967 Wilson co-produced, with Robert Wagner, a documentary film entitled The World Goes On. It was to be a pilot for the documentation of music festivals worldwide.
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Stanley Wilson
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