by Chris Nickson 　　  　　Aurora Rory Block has staked her claim to be one of Americas top acoustic blues women, an interpreter of the great Delta blues singers, a slide guitarist par excellence, and also a talented songwriter on her own account. Born and raised in Manhattan by a family that had bohemian leanings, she spent her formative years hanging out with musicians like Peter Rowan, John Sebastian, and Geoff Muldaur, who hung out in her fathers sandal shop, before picking up the guitar at the age of ten. Her record debut came two years later, backing her father on The Elektra String Band Project, a concept album. She met guitarist Stefan Grossman, who, like her, was in love with the blues. The pair would often travel to the Bronx to visit Reverend Gary Davis, one of the greatest living bluesmen. 　　  　　At the tender age of 15 Block left home, hitting the road in true 60s fashion and traveling through the South, where she learned her blues trade at the feet of Skip James and Mississippi John Hurt, her greatest influence, before ending up in Berkeley. It was there that she developed her slide technique (she uses a socket wrench as her slide), but she didnt record until 1975, when she released Im in Love (a compilation of earlier material, The Early Tapes 1975-1976, appeared later). After two records for Chrysalis, she recorded the instructional How to Play Blues Guitar for Grossmans Kicking Mule label, and later moved to then-fledgling Rounder, with whom she enjoyed an ongoing relationship. She toured constantly, often playing as many as 250 dates in a year, which kept her away from her family — shed married and begun having children in the early 70s — but developed her reputation as a strong, vibrant live performer, and one of the best players of old country blues in America. 　　  　　In 1987 the best of Blocks Rounder cuts were compiled on Best Blues & Originals, which, as it said, featured her interpretations of blues classics and some of her own material. Two of the tracks, released as singles in Belgium and Holland, became gold record hits. In addition to her regular albums, Block made a series of instructional records and videos, as well as a childrens record, Color Me Wild. Although she had been performing for a long time, the plaudits didnt really begin until 1992, when she won a NAIRD Award for Aint I a Woman, a feat repeated in 1994 and 1997. In 1996 she began winning W.C. Handy Awards, first for Best Traditional Album (When a Woman Gets the Blues), and in 1997 and 1998 for Best Traditional Blues Female Artist. In 1997 she was elected to the CAMA Hall of Fame, and in 1999 she received yet another Handy Award, for Best Acoustic Blues Album (Confessions of a Blues Singer). 　　  　　Block continued to tour, although not as heavily as in earlier times, and shes often accompanied by her grown son Jordan Block, who also plays on her albums. She remained busy in the early part of the 2000s, releasing six albums, including a live recording. 2005s From the Dust drew raving critical reviews, as did 2006s The Lady and Mr. Johnson, an album that sees Block taking on select songs of her musical hero, idol, and biggest influence, Robert Johnson.