The Pilgrim Travelers were a gospel group popular in the late 1940s and early 1950s.
Formed in the early 1930s in Houston, Texas, they were strongly influenced by another Texas-based quartet, the Soul Stirrers. They achieved popularity after moving to Los Angeles in 1942, where their new manager, J. W. Alexander, helped fashion a new style that went beyond imitating the Soul Stirrers and the Golden Gate Quartet, the other reigning quartet of the era. Like the Soul Stirrers, the Travelers traded the lead between their two best singers, Kylo Turner, a baritone with the same facility as a note-bending falsetto as R.H. Harris of the Soul Stirrers, and Keith Barber, also nicknamed "Doc" or "Crip", who changed from being a sweet-voiced tenor to a hard gospel shouter under Alexander's direction. They added Jesse Whitaker — whom Ray Charles credited as one of his models when he adapted hard gospel style to secular themes to create soul music in the 1950s — as a baritone in 1947.
The Pilgrim Travelers were a gospel group popular in the late 1940s and early 1950s.
Formed in the early 1930s in Houston, Texas, they were strongly influenced by another Texas-based quartet, the Soul Stirrers. They achieved popularity after moving to Los Angeles in 1942, where their new manager, J. W. Alexander, helped fashion a new style that went beyond imitating the Soul Stirrers and the Golden Gate Quartet, the other reigning quartet of the era. Like the Soul Stirrers, the Travelers traded the lead between their two best singers, Kylo Turner, a baritone with the same facility as a note-bending falsetto as R.H. Harris of the Soul Stirrers, and Keith Barber, also nicknamed "Doc" or "Crip", who changed from being a sweet-voiced tenor to a hard gospel shouter under Alexander's direction. They added Jesse Whitaker — whom Ray Charles credited as one of his models when he adapted hard gospel style to secular themes to create soul music in the 1950s — as a baritone in 1947.