The English conductor, composer and pianist, Christopher Lyndon-Gee, studied conducting under Rudolf Schwarz in London, and Franco Ferrara in Rome, where Leonard Bernstein heard him conduct a student concert, subsequently inviting him to study at Tanglewood. Here he later worked also under Maurice Abravanel, Erich Leinsdorf and others. He worked as Bruno Maderna's assistant at La Scala, Milan, later becoming second conductor at the Teatro Regio in Turin, working also with the RAI Orchestra in that city. He was co-founder with composer Lorenzo Ferrero of the Ensemble Fase Seconda, who premièred dozens of commissioned new works throughout Italy, Germany, France and at many international festivals. As a composer, he studied with Goffredo Petrassi in Rome, Luciano Berio, Sylvano Bussotti and Jean Martinon. Britain's great musicologist Arthur Hutchings remains a powerful guiding influence, several decades on.
The English conductor, composer and pianist, Christopher Lyndon-Gee, studied conducting under Rudolf Schwarz in London, and Franco Ferrara in Rome, where Leonard Bernstein heard him conduct a student concert, subsequently inviting him to study at Tanglewood. Here he later worked also under Maurice Abravanel, Erich Leinsdorf and others. He worked as Bruno Maderna's assistant at La Scala, Milan, later becoming second conductor at the Teatro Regio in Turin, working also with the RAI Orchestra in that city. He was co-founder with composer Lorenzo Ferrero of the Ensemble Fase Seconda, who premièred dozens of commissioned new works throughout Italy, Germany, France and at many international festivals. As a composer, he studied with Goffredo Petrassi in Rome, Luciano Berio, Sylvano Bussotti and Jean Martinon. Britain's great musicologist Arthur Hutchings remains a powerful guiding influence, several decades on.