With a career spanning more than 25 years, Mezzo soprano Jenny Duck-Chong has established herself as a versatile and intelligent musician with extensive experience in a broad range of classical repertoire. She has worked with Sydney's finest vocal ensembles, including Opera Australia, Pinchgut Opera, The Song Company and Cantillation.   As a soloist, she has been acclaimed for her intense and dramatic portrayals of tragic heroines, such as Purcell’s Dido, Monteverdi’s Arianna and Britten’s Phaedra, her stylistic renderings of Baroque masterworks as well as her formidable and engaging performances of contemporary works such as Ligeti’s Sippàl, Dobbàl, Nahigeduvel, Macmillan’s Raising Sparks, Benjamin’s Upon Silence and Berio’s Folksongs. Jenny has been a featured soloist with ensembles as varied as the Sydney Symphony Orchestra, Sydney Philharmonia Choirs, Sydney Baroque, Synergy Percussion, Ensemble Offspring, the Renaissance Players and the Kevin Hunt Jazz Trio in a wide variety of repertoire ranging from Bach to Berio, Gubaidulina to Gershwin and Reich to Ravel.   In recent years, Jenny has focused her attention on more intimate chamber repertoire, in particular in the field of new music. With soprano Alison Morgan, she established Halcyon in 1998, an ensemble renowned for innovative programming and exemplary contemporary vocal chamber music performance. With Halcyon, she has premiered numerous Australian and international works by both acclaimed and emerging composers and commissioned many new works, including 21 new Australian commissions under the title Kingfisher: Songs for Halcyon to celebrate their 15th birthday. In 2015 Jenny became the sole director of Halcyon and is continuing to present programs of rarely heard chamber music.
  With a career spanning more than 25 years, Mezzo soprano Jenny Duck-Chong has established herself as a versatile and intelligent musician with extensive experience in a broad range of classical repertoire. She has worked with Sydney's finest vocal ensembles, including Opera Australia, Pinchgut Opera, The Song Company and Cantillation.   As a soloist, she has been acclaimed for her intense and dramatic portrayals of tragic heroines, such as Purcell’s Dido, Monteverdi’s Arianna and Britten’s Phaedra, her stylistic renderings of Baroque masterworks as well as her formidable and engaging performances of contemporary works such as Ligeti’s Sippàl, Dobbàl, Nahigeduvel, Macmillan’s Raising Sparks, Benjamin’s Upon Silence and Berio’s Folksongs. Jenny has been a featured soloist with ensembles as varied as the Sydney Symphony Orchestra, Sydney Philharmonia Choirs, Sydney Baroque, Synergy Percussion, Ensemble Offspring, the Renaissance Players and the Kevin Hunt Jazz Trio in a wide variety of repertoire ranging from Bach to Berio, Gubaidulina to Gershwin and Reich to Ravel.   In recent years, Jenny has focused her attention on more intimate chamber repertoire, in particular in the field of new music. With soprano Alison Morgan, she established Halcyon in 1998, an ensemble renowned for innovative programming and exemplary contemporary vocal chamber music performance. With Halcyon, she has premiered numerous Australian and international works by both acclaimed and emerging composers and commissioned many new works, including 21 new Australian commissions under the title Kingfisher: Songs for Halcyon to celebrate their 15th birthday. In 2015 Jenny became the sole director of Halcyon and is continuing to present programs of rarely heard chamber music.
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Jenny Duck Chong