Described as "superb", Maeve Palmer is a soprano in her Masters of Music at the University of Toronto, under Mary Morrison, O.C.
Maeve has performed in concert with Opera Atelier (pictured above), Tapestry Opera, Opera Atelier Chorus, and in concert regularly with Off Centre Music, including their recent Schubertiad.
This season Maeve is pleased to announce some exciting new roles, including soprano soloist in Derek Holman's Laudes Creationis with Orpheus Choir of Toronto, a reprise of her role as the Matriarch in The Farthest Shore, with Chorus Niagara, and her debut in the role of Zerlina (Don Giovanni) with Centre for Opera Studies Italy.
Also, hear Maeve in the Hollywood film The Space Between Us, in theatres February 3rd
Maeve is very excited to announce that she has been selected as a semi-finalist for the 40th annual Eckhardt-Gramatté competition in May. Among other honours, this year Maeve is the recipient of the Alexander and Carolyn Drummond Fellowship in Voice Performance at the University of Toronto Fellowship, and is the soprano Sidgwick Scholar with the Orpheus Choir of Toronto under the direction of Robert Cooper.
Selected concert works include The Angel of Death in Allan Bevan's No Mortal Business, Leah in James Rolfe's opera Swoon, Soprano II soloist in Bach's B minor mass, soprano soloist in Britten’s Hymn to St. Cecelia and Scott Macmillan’s Celtic Mass for the Sea. Maeve made her operatic debut last year as Satirino in La Calisto, under the direction of Timothy Nelson at the Centre for Opera Studies Italy.
Recent world premiers include Alice Ping Yee Ho’s Three Songs of the Tang Dynasty, Tyler Versluis's Five Poems, and Robert Taylor’s Little Urban Green, Opticks, and Ellipses.
At the University of Toronto Maeve has had the opportunity to work with Barbara Hannigan, Adrianne Pieczonka, Stephanie Blythe, Laura Tucker, Tracy Dahl, Vicky St. Pierre, and Liz Upchurch in master-classes, and has performed in the contemporary music concerts in New Music Week, and in recital with Helen Becqué (Love is merely a madness, 2016, An ever-fixed mark, 2015, Fables and Fiction, 2014). For more information on upcoming concerts, click here.
Described as "superb", Maeve Palmer is a soprano in her Masters of Music at the University of Toronto, under Mary Morrison, O.C.
Maeve has performed in concert with Opera Atelier (pictured above), Tapestry Opera, Opera Atelier Chorus, and in concert regularly with Off Centre Music, including their recent Schubertiad.
This season Maeve is pleased to announce some exciting new roles, including soprano soloist in Derek Holman's Laudes Creationis with Orpheus Choir of Toronto, a reprise of her role as the Matriarch in The Farthest Shore, with Chorus Niagara, and her debut in the role of Zerlina (Don Giovanni) with Centre for Opera Studies Italy.
Also, hear Maeve in the Hollywood film The Space Between Us, in theatres February 3rd
Maeve is very excited to announce that she has been selected as a semi-finalist for the 40th annual Eckhardt-Gramatté competition in May. Among other honours, this year Maeve is the recipient of the Alexander and Carolyn Drummond Fellowship in Voice Performance at the University of Toronto Fellowship, and is the soprano Sidgwick Scholar with the Orpheus Choir of Toronto under the direction of Robert Cooper.
Selected concert works include The Angel of Death in Allan Bevan's No Mortal Business, Leah in James Rolfe's opera Swoon, Soprano II soloist in Bach's B minor mass, soprano soloist in Britten’s Hymn to St. Cecelia and Scott Macmillan’s Celtic Mass for the Sea. Maeve made her operatic debut last year as Satirino in La Calisto, under the direction of Timothy Nelson at the Centre for Opera Studies Italy.
Recent world premiers include Alice Ping Yee Ho’s Three Songs of the Tang Dynasty, Tyler Versluis's Five Poems, and Robert Taylor’s Little Urban Green, Opticks, and Ellipses.
At the University of Toronto Maeve has had the opportunity to work with Barbara Hannigan, Adrianne Pieczonka, Stephanie Blythe, Laura Tucker, Tracy Dahl, Vicky St. Pierre, and Liz Upchurch in master-classes, and has performed in the contemporary music concerts in New Music Week, and in recital with Helen Becqué (Love is merely a madness, 2016, An ever-fixed mark, 2015, Fables and Fiction, 2014). For more information on upcoming concerts, click here.
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