One of the most prolific, consistent, and unsung acts of the slowcore movement, Californias Idaho centers itself around four-string guitarist and vocalist Jeff Martin, a talented songwriter who has gained comparisons to Mark Eitzel (American Music Club), Mark Kozelek (Red House Painters), and Neil Young from the few journalists that have paid attention. Despite the lack of recognition from the press and a low profile, Idaho has gained a decent-sized underground following through a steady release schedule and sporadic touring.      Martin and high school friend John Berry began writing songs together in the 80s, meeting up occasionally throughout the years as something to do without a great deal of seriousness to it. They gave a tape of their work to an acquaintance who knew someone at Caroline, and soon enough, the duo found themselves with a recording contract. The duo actually debuted with the Skyscrape single on Ringers Lactate in 1992 and released their first EP, Palms, on Caroline the following year. The full-length Year After Year was released by the end of 1993, with Mark Lewis and Unsanes Vincent Signorelli providing help on drums.      Berry exited for 1994s improved This Way Out, leaving Martin to himself. Receiving assistance from another batch of guest drummers (including frequent aide Joey Waronker), he played every instrument, including piano (Martin is classically trained). Since Martin wanted to keep Idaho a touring entity, he enlisted a semi-permanent supporting cast and, in turn, gave up some of the writing responsibility for 1996s Three Sheets to the Wind — he had found it impossible to teach others the songs and have them play them the way he wanted. As a result, the bolstered lineup made for Idahos most muscular record, featuring their loudest guitars but not sacrificing any sense of intimacy. The thicker sound pricked the ears of more journalists, who generally find the record to be Idahos best overall.      Despite their recent underground success, Idaho found themselves ejected from Caroline. The group reverted back to a duo, with Martin retaining guitarist Dan Seta while the other two members, Lewis and Terry Borden, formed Flotilla. They also signed on with the smaller Buzz label, releasing The Forbidden EP and Alas in 1997 and 1998, respectively. After leaving the label, Martin set up Idaho Music (thanks to a car accident settlement) and issued the live People Like Us Should Be Stopped and Hearts of Palm in 2000. Seta left for 2001s Levitate, leaving Idaho as one-man act. We Were Young appeared in 2002.
  One of the most prolific, consistent, and unsung acts of the slowcore movement, Californias Idaho centers itself around four-string guitarist and vocalist Jeff Martin, a talented songwriter who has gained comparisons to Mark Eitzel (American Music Club), Mark Kozelek (Red House Painters), and Neil Young from the few journalists that have paid attention. Despite the lack of recognition from the press and a low profile, Idaho has gained a decent-sized underground following through a steady release schedule and sporadic touring.      Martin and high school friend John Berry began writing songs together in the 80s, meeting up occasionally throughout the years as something to do without a great deal of seriousness to it. They gave a tape of their work to an acquaintance who knew someone at Caroline, and soon enough, the duo found themselves with a recording contract. The duo actually debuted with the Skyscrape single on Ringers Lactate in 1992 and released their first EP, Palms, on Caroline the following year. The full-length Year After Year was released by the end of 1993, with Mark Lewis and Unsanes Vincent Signorelli providing help on drums.      Berry exited for 1994s improved This Way Out, leaving Martin to himself. Receiving assistance from another batch of guest drummers (including frequent aide Joey Waronker), he played every instrument, including piano (Martin is classically trained). Since Martin wanted to keep Idaho a touring entity, he enlisted a semi-permanent supporting cast and, in turn, gave up some of the writing responsibility for 1996s Three Sheets to the Wind — he had found it impossible to teach others the songs and have them play them the way he wanted. As a result, the bolstered lineup made for Idahos most muscular record, featuring their loudest guitars but not sacrificing any sense of intimacy. The thicker sound pricked the ears of more journalists, who generally find the record to be Idahos best overall.      Despite their recent underground success, Idaho found themselves ejected from Caroline. The group reverted back to a duo, with Martin retaining guitarist Dan Seta while the other two members, Lewis and Terry Borden, formed Flotilla. They also signed on with the smaller Buzz label, releasing The Forbidden EP and Alas in 1997 and 1998, respectively. After leaving the label, Martin set up Idaho Music (thanks to a car accident settlement) and issued the live People Like Us Should Be Stopped and Hearts of Palm in 2000. Seta left for 2001s Levitate, leaving Idaho as one-man act. We Were Young appeared in 2002.
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