安东尼奥·贝尔塔利(Antonio Bertali)是巴洛克时代的意大利作曲家和小提琴家。他出生在维罗纳,并在那里接受了史蒂法诺·贝尔纳迪(Stefano Bernardi)的早期音乐教育。大概从1624年开始,他就被皇帝斐迪南二世(Emperor Ferdinand II)聘为维也纳的宫廷音乐家。
He was born in Verona and received early music education there from Stefano Bernardi. Probably from 1624, he was employed as court musician in Vienna by Emperor Ferdinand II. In 1649, Bertali succeeded Giovanni Valentini as court Kapellmeister. He died in Vienna in 1669 and was succeeded in his post by Giovanni Felice Sances.
Bertali's compositions are in the manner of other northern Italian composers of the time and include operas, oratorios, a large number of liturgical works, and chamber music. Particularly his operas are notable for establishing the tradition of Italian opera seria in Vienna. Approximately half of his work is now lost; copies survive made by Bertali's contemporary, Pavel Josef Vejvanovsk?, some of the pieces are currently in possession of Vienna's Hofbibliothek, the library of the Kremsmünster Abbey and the Kromě?í? archive. The most important source for Bertali's work is, however, the Viennese Distinta Specificatione catalogue, which lists several composers of the Habsburg court and provides titles and scoring for more than two thousand compositions.
The "Chaconne" or Ciaccona is perhaps his best-known work.
安东尼奥·贝尔塔利(Antonio Bertali)是巴洛克时代的意大利作曲家和小提琴家。他出生在维罗纳,并在那里接受了史蒂法诺·贝尔纳迪(Stefano Bernardi)的早期音乐教育。大概从1624年开始,他就被皇帝斐迪南二世(Emperor Ferdinand II)聘为维也纳的宫廷音乐家。
He was born in Verona and received early music education there from Stefano Bernardi. Probably from 1624, he was employed as court musician in Vienna by Emperor Ferdinand II. In 1649, Bertali succeeded Giovanni Valentini as court Kapellmeister. He died in Vienna in 1669 and was succeeded in his post by Giovanni Felice Sances.
Bertali's compositions are in the manner of other northern Italian composers of the time and include operas, oratorios, a large number of liturgical works, and chamber music. Particularly his operas are notable for establishing the tradition of Italian opera seria in Vienna. Approximately half of his work is now lost; copies survive made by Bertali's contemporary, Pavel Josef Vejvanovsk?, some of the pieces are currently in possession of Vienna's Hofbibliothek, the library of the Kremsmünster Abbey and the Kromě?í? archive. The most important source for Bertali's work is, however, the Viennese Distinta Specificatione catalogue, which lists several composers of the Habsburg court and provides titles and scoring for more than two thousand compositions.
The "Chaconne" or Ciaccona is perhaps his best-known work.