by Jason AnkenyNew wave ironist Tonio K. was born Steve Krikorian in Palm Desert, CA, on April 15, 1949; the son of Armenian immigrants, he was raised in nearby Fresno, and while in high school formed his first band, the Raiks Progress. In 1973, he appeared on his first album, Remnants, as a member of the former Buddy Holly backing band the Crickets; after going solo, he assumed the stage name Tonio K., apparently in honor of the Thomas Mann novella Tonio Kröger. His debut LP, Life in the Foodchain, was a critical smash upon its 1978 release, winning acclaim for its scathing wit and smartly crafted songs; Amerika followed two years later, and although it fared poorly commercially it helped establish the singer as a major favorite on the L.A. club scene. A follow-up, Too Cool to Be a Christian, was recorded but never released; despite Tonio K.s famously sarcastic attitude, the projects title was far from a joke, however, and his growing spirituality remained the focus of his work in the years to follow. After 1982s La Bomba EP, he was silent until the release of 1986s Romeo Unchained, which heralded a newly mellow sound; 1988s Notes from the Lost Civilization was his final proper LP, although a planned follow-up, Olé, was recorded but not issued. (It was finally released in 1997). During the 1990s, Tonio K. was most active as a songwriter; in 1998 he issued Rodent Weekend 76-96 (Approximately), a collection of unreleased material. Yugoslavia followed a year later.
by Jason AnkenyNew wave ironist Tonio K. was born Steve Krikorian in Palm Desert, CA, on April 15, 1949; the son of Armenian immigrants, he was raised in nearby Fresno, and while in high school formed his first band, the Raiks Progress. In 1973, he appeared on his first album, Remnants, as a member of the former Buddy Holly backing band the Crickets; after going solo, he assumed the stage name Tonio K., apparently in honor of the Thomas Mann novella Tonio Kröger. His debut LP, Life in the Foodchain, was a critical smash upon its 1978 release, winning acclaim for its scathing wit and smartly crafted songs; Amerika followed two years later, and although it fared poorly commercially it helped establish the singer as a major favorite on the L.A. club scene. A follow-up, Too Cool to Be a Christian, was recorded but never released; despite Tonio K.s famously sarcastic attitude, the projects title was far from a joke, however, and his growing spirituality remained the focus of his work in the years to follow. After 1982s La Bomba EP, he was silent until the release of 1986s Romeo Unchained, which heralded a newly mellow sound; 1988s Notes from the Lost Civilization was his final proper LP, although a planned follow-up, Olé, was recorded but not issued. (It was finally released in 1997). During the 1990s, Tonio K. was most active as a songwriter; in 1998 he issued Rodent Weekend 76-96 (Approximately), a collection of unreleased material. Yugoslavia followed a year later.