Desmond Dekker (16 July 1941 – 25 May 2006) was a Jamaican ska, rocksteady and reggae singer-songwriter and musician. Together with his backing group the Aces (consisting of Wilson James and Easton Barrington Howard), he had one of the earliest international reggae hits with "Israelites" (1968). Other hits include "007 (Shanty Town)" (1967), "It Mek" (1969) and "You Can Get It If You Really Want" (1970). 　　Despite achieving a record deal, it was two years before Dekker saw his first record released. Eventually in 1963 Kong chose "Honour Your Mother and Father" (written by Dekker and the song that Dekker had sung in his Kong audition two years earlier), which became a Jamaican hit and established Dekker's musical career. This was followed by the release of the tracks "Sinners Come Home" and "Labour for Learning". It was during this period that Desmond Dacres adopted the stage-name of Desmond Dekker. His fourth hit, "King of Ska" (backing vocals by The Cherrypies, also known as The Maytals), made him into one of the island's biggest stars. Dekker then recruited four brothers, Carl, Patrick, Clive and Barry Howard, as his permanent backing vocalists to perform with him under the name Desmond Dekker and The Aces. 　　The new group recorded a number of Jamaican hits, including "Parents", "Get Up Edina", "This Woman" and "Mount Zion". The themes of Dekker's songs during the first four years of his career dealt with the moral, cultural and social issues of mainstream Jamaican culture: respect for ones parents ("Honour Your Mother and Father"), religious morality ("Sinners Come Home") and education ("Labour for Learning"). In 1967 he appeared on Derrick Morgan's "Tougher Than Tough", which helped begin a trend of popular songs commenting on the rude boy subculture which was rooted in Jamaican ghetto life where opportunities for advancement were limited and life was economically difficult. Dekker's own songs did not go to the extremes of many other popular rude boy songs, which reflected the violence and social problems associated with ghetto life, though he did introduce lyrics that resonated with the rude boys, starting with one of his best-known songs, "007 (Shanty Town)". The song established Dekker as a rude boy icon in Jamaica and also became a favourite dance track for the young working-class men and women of the United Kingdom's mod scene. "007 (Shanty Town)" was a Top 15 hit in the UK and his UK concerts were attended by a large following of mods wherever he played.