Mr. Scruff在学生时期也是学艺术出身,现在为职业DJ,在英国各地都有不定期的巡回表演,到现在也出过了不少张混音专辑,主要音乐风格为爵士电音。      by Sean Cooper   Mr. Scruffs breakbeat noodlings have been some of the more playful and summery of the British trip-hop lot, with ultra-clean production and an economic approach to sampling distinguishing his music from sp**ff-tokers and bombasts alike. The authorial nickname of Manchester native Andy Carthy (his neatly trimmed beard being the source), Mr. Scruff attracted the buzz of DJs and critics alike with the 1995 Robs Records release, Sea Mammal (a semi-veiled tribute to Boogie Down Productions seminal My Philosophy), which combined the dime-store aesthetic of a Luke Vibert or Howie B. with more tempered, straight-ahead rhythms and subtle funk, soul, and electro references. The appearance soon after of the Frolic EP on Robs subsidiary Pleasure — which took the breezier, tea-room quotidian feel of his debut a few Sunday afternoon steps further — turned buzz to blare for Carthy, with remix offers from the likes of DJ Food and Lamb flowing in. 1997 brought an EP (Large Pies) for noted Bristol label Cup of Tea, as well as Scruffs eponymous debut full-length. Keep It Unreal, his debut for Ninja Tune, followed in 1999. A rabid record collector, Scruffs frequent DJ sets include everything from 60s and 70s soul-jazz and funk, scratchy old reggae and dub 45s, classic hip-hop, schmaltzy vocal pop, and new-school electronica.
  Mr. Scruff在学生时期也是学艺术出身,现在为职业DJ,在英国各地都有不定期的巡回表演,到现在也出过了不少张混音专辑,主要音乐风格为爵士电音。      by Sean Cooper   Mr. Scruffs breakbeat noodlings have been some of the more playful and summery of the British trip-hop lot, with ultra-clean production and an economic approach to sampling distinguishing his music from sp**ff-tokers and bombasts alike. The authorial nickname of Manchester native Andy Carthy (his neatly trimmed beard being the source), Mr. Scruff attracted the buzz of DJs and critics alike with the 1995 Robs Records release, Sea Mammal (a semi-veiled tribute to Boogie Down Productions seminal My Philosophy), which combined the dime-store aesthetic of a Luke Vibert or Howie B. with more tempered, straight-ahead rhythms and subtle funk, soul, and electro references. The appearance soon after of the Frolic EP on Robs subsidiary Pleasure — which took the breezier, tea-room quotidian feel of his debut a few Sunday afternoon steps further — turned buzz to blare for Carthy, with remix offers from the likes of DJ Food and Lamb flowing in. 1997 brought an EP (Large Pies) for noted Bristol label Cup of Tea, as well as Scruffs eponymous debut full-length. Keep It Unreal, his debut for Ninja Tune, followed in 1999. A rabid record collector, Scruffs frequent DJ sets include everything from 60s and 70s soul-jazz and funk, scratchy old reggae and dub 45s, classic hip-hop, schmaltzy vocal pop, and new-school electronica.
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Mr Scruff
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