相信也是50年代的录音，Maria Teresa Vera这位早於 1965年仙游的古巴唱作女歌手兼结他手，同样又可称得上是民艺复兴法国Troubadour的廿世纪古巴版;不同的是，她的演唱风格蕴含更多情感複杂的甜酸苦涩，閒中更带点辛辣，就像抽烟喝酒一样，味道口感初嚐明明是难以下嚥．习惯后却是越来越有味道。如果你从事民族音乐研究，相信这又是另一值得参考的宝典。
The grande dame of Cuban music, Maria Teresa Vera was not only the greatest female trova singer of all time, she was also one of the form's greatest singers, period. Vera became a professional musician and songwriter -- and a mightily popular one at that -- during the early 20th century, when such a career was virtually unheard of for a woman. Her skill at singing trova -- a rural folk song style that predated the son dance craze -- helped lay the groundwork for the explosion of Cuban popular music in the '30s and '40s, and her fame as a trovadora lasted well after the style was eclipsed by other popular trends. Maria Teresa Vera was born in Guanajay, in the province of Pinar del Rio, on February 6, 1895. She began learning the guitar from Jose Diaz, and in 1911, at age 15, performed publicly in Havana at a tribute to Arquimedes Pous. Vera subsequently formed the first of several duos, a format she would favor throughout her career, with Rafael Zequeira; in addition to performing in Cuba, the two traveled to New York several times for recording sessions. Zequeira died in 1924, and after performing for a couple of years both solo and accompanied, Vera formed a new duo with Miguelito Garcia in 1926. Vera also formed her own group, the Sexteto Occidente, with which she returned to New York to record. In 1937, Vera formed yet another partnership with Lorenzo Hierrezuelo, which proved so successful that they maintained it for the next 25 years. The two appeared frequently on Cuban radio over that period, and traveled to Mexico in 1954 to promote Cuban trova. By the time Vera retired in 1962 due to illness, her status as one of Cuba's greatest female singers was secure; she was revered by the neo-traditionalist nueva trova movement, and several of her songs -- particularly her signature tune, "Veinte Años" -- had become standards. Vera passed away in Havana in 1965. Thirty years later, the all-star tribute album À Maria Teresa Vera was released to commemorate what would have been her 100th birthday.
相信也是50年代的录音，Maria Teresa Vera这位早於 1965年仙游的古巴唱作女歌手兼结他手，同样又可称得上是民艺复兴法国Troubadour的廿世纪古巴版;不同的是，她的演唱风格蕴含更多情感複杂的甜酸苦涩，閒中更带点辛辣，就像抽烟喝酒一样，味道口感初嚐明明是难以下嚥．习惯后却是越来越有味道。如果你从事民族音乐研究，相信这又是另一值得参考的宝典。
The grande dame of Cuban music, Maria Teresa Vera was not only the greatest female trova singer of all time, she was also one of the form's greatest singers, period. Vera became a professional musician and songwriter -- and a mightily popular one at that -- during the early 20th century, when such a career was virtually unheard of for a woman. Her skill at singing trova -- a rural folk song style that predated the son dance craze -- helped lay the groundwork for the explosion of Cuban popular music in the '30s and '40s, and her fame as a trovadora lasted well after the style was eclipsed by other popular trends. Maria Teresa Vera was born in Guanajay, in the province of Pinar del Rio, on February 6, 1895. She began learning the guitar from Jose Diaz, and in 1911, at age 15, performed publicly in Havana at a tribute to Arquimedes Pous. Vera subsequently formed the first of several duos, a format she would favor throughout her career, with Rafael Zequeira; in addition to performing in Cuba, the two traveled to New York several times for recording sessions. Zequeira died in 1924, and after performing for a couple of years both solo and accompanied, Vera formed a new duo with Miguelito Garcia in 1926. Vera also formed her own group, the Sexteto Occidente, with which she returned to New York to record. In 1937, Vera formed yet another partnership with Lorenzo Hierrezuelo, which proved so successful that they maintained it for the next 25 years. The two appeared frequently on Cuban radio over that period, and traveled to Mexico in 1954 to promote Cuban trova. By the time Vera retired in 1962 due to illness, her status as one of Cuba's greatest female singers was secure; she was revered by the neo-traditionalist nueva trova movement, and several of her songs -- particularly her signature tune, "Veinte Años" -- had become standards. Vera passed away in Havana in 1965. Thirty years later, the all-star tribute album À Maria Teresa Vera was released to commemorate what would have been her 100th birthday.
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