David Porter is most famous as the songwriting partner of Isaac Hayes during the 1960s. Functioning as house composers for Stax, they penned most of Sam & Dave's hits, including such classics as "Soul Man" and "Hold On! I'm Coming"; they also wrote material for other acts on the roster, such as Carla Thomas, Johnnie Taylor, and the Soul Children. Starting in the late '60s, Hayes became increasingly involved in his own recording career, eventually leading to the end of the partnership. Many soul fans remain unaware that Porter also began to record his own albums for Stax. In fact, in the '60s he had released a few singles for Savoy and Hi under the pseudonyms of Little David and Kenny Cain, and had done a single for Stax itself in 1965, "Can't See You When I Want To." A remake of "Can't See You When I Want To" became a Top 30 R&B hit for Porter, and he cut several albums for Stax in the early '70s, including an ambitious concept LP, Victim of the Joke? which connected conventional pop/soul tunes with dialog. By this time he had teamed up with a different songwriting partner, Ronnie Williams, but as a solo artist he ultimately made little impact.
David Porter is most famous as the songwriting partner of Isaac Hayes during the 1960s. Functioning as house composers for Stax, they penned most of Sam & Dave's hits, including such classics as "Soul Man" and "Hold On! I'm Coming"; they also wrote material for other acts on the roster, such as Carla Thomas, Johnnie Taylor, and the Soul Children. Starting in the late '60s, Hayes became increasingly involved in his own recording career, eventually leading to the end of the partnership. Many soul fans remain unaware that Porter also began to record his own albums for Stax. In fact, in the '60s he had released a few singles for Savoy and Hi under the pseudonyms of Little David and Kenny Cain, and had done a single for Stax itself in 1965, "Can't See You When I Want To." A remake of "Can't See You When I Want To" became a Top 30 R&B hit for Porter, and he cut several albums for Stax in the early '70s, including an ambitious concept LP, Victim of the Joke? which connected conventional pop/soul tunes with dialog. By this time he had teamed up with a different songwriting partner, Ronnie Williams, but as a solo artist he ultimately made little impact.