Keyboardist/arranger Captain Daryl Dragon and his wife, singer/pianist Toni Tennille, scored a series of pop/rock hits in a light, romantic vein in the second half of the 1970s, the most successful of which was the first, Love Will Keep Us Together. The couple met in the summer of 1971, when Dragon was engaged as the keyboard player for a musical revue, Mother Earth, composed by Tennille. Dragon, born August 27, 1942, in Los Angeles, was the son of conductor Carmen Dragon; his mother was a singer. He studied piano while growing up and briefly attended California State University at Northridge before dropping out to form an instrumental jazz trio with his brothers called the Dragons. The group released the single Elephant Stomp/Troll on Capitol Records in 1964, but its style was out of step with labelmates the Beatles, who dominated popular music at the time. In 1967, Dragon became a touring backup musician for the Beach Boys. He was dubbed Captain Keyboard by lead singer Mike Love because he always appeared on-stage in a yachting cap. In addition to touring with the Beach Boys, Dragon appeared on their albums of the period, including Sunflower and Holland, and he was billed as Rumbo on a British single released in 1970, Sound of Free/Lady, credited to the Beach Boys Dennis Wilson & Rumbo. 　　Tennille, born Cathryn Antoinette Tennille on May 8, 1943, in Montgomery, AL, was the daughter of Frank Tennille, a big-band singer (under the name Clark Randall) who had given up music to run his familys furniture store, and Cathryn Tennille, who became a local television talk-show host. Tennille also studied piano and occasionally appeared on her mothers show as a child. She attended Auburn University, studying music. In 1965, she moved to California, where she married and divorced drummer Kenneth Shearer and became involved in the South Coast Repertory theater group, which led to her writing the music for an ecologically minded revue, Mother Earth. The show was performed in San Francisco and Los Angeles, where Dragon joined the band. After it closed, Dragon returned to the Beach Boys and arranged to have Tennille hired as a pianist and backup singer. (Mother Earth eventually earned a Broadway production that opened on October 19, 1972, and closed after 12 performances. Tennille was no longer involved with it at that stage, but she was credited for its music under her married name, Toni Shearer.) 　　Dragon and Tennille toured with the Beach Boys for a year, meanwhile becoming a romantic couple (they married in 1975), then left and began performing in Los Angeles clubs as a duo called Captain & Tennille. (Dragon insists that the name is not The Captain & Tennille, although it is frequently printed that way.) In September 1973, they financed their own debut single, Tennilles romantic ballad composition The Way I Want to Touch You, pressing up 500 copies on their own Butterscotch Castle Records label and earning airplay in Los Angeles. The Way I Want to Touch You was purchased by the large independent A&M Records, which re-released it and signed Captain & Tennille to a contract, apparently viewing them correctly as a slightly harder rocking, slightly sexier version of the Carpenters, who also recorded for the label. For their next single, Captain & Tennille covered Neil Sedaka and Howard Greenfields Love Will Keep Us Together, a song that had appeared recently on Sedakas American comeback album, Sedakas Back, even singing Sedaka is back at the end of the track. The disc became a number one, gold-selling hit, launching Captain & Tennilles career. 　　For the next two years, they could do no wrong commercially. (Rock critics, predictably, dismissed their middle-of-the-road pop style.) The Love Will Keep Us Together album spent two years in the charts and went gold. The Way I Want to Touch You, released a third time, gave them their second gold single. Lonely Night (Angel Face), written by Sedaka and released in January 1976 in advance of their second album, Song of Joy, made that three gold singles. In February, Love Will Keep Us Together won the 1975 Grammy Award for Record of the Year. Song of Joy was a gold album upon release and later went platinum, spawning two more gold singles, a cover of the Miracles Shop Around and Willis Alan Ramseys Muskrat Love. 　　In September 1976, The Captain & Tennille, a weekly hourlong musical variety series, debuted on the ABC television network, which apparently viewed them incorrectly as an answer to CBS Sonny & Cher. The show proved to be Captain & Tennilles first false step, failing to earn high ratings and, in Dragons judgment, overexposing the duo and thus hurting their record sales. Although ABC was willing to extend the series, the couple demurred, and the show went off the air after only one season in March 1977. Cant Stop Dancin, their disco-oriented new single, made the Top 20, but broke their string of Top Ten, gold-selling singles, and Come In from the Rain, their third album, also marked a drop in sales, although it went gold. The duo embarked on a four-month national tour in May 1977, playing 90 cities through September. In November, A&M released the profit-taking Captain & Tennilles Greatest Hits, suggesting that the label felt their best days were already behind them. 　　Dream, their fourth album, released in July 1978, never reached the Top 100, although it stayed in the charts twice as long as Come In from the Rain, buoyed by the Top Ten success of the Neil Sedaka composition You Never Done It Like That. Captain & Tennille left A&M for Casablanca Records, a move that turned out to be unwise, since the formerly trendy label (known for Donna Summer and Kiss) was entering a decline. Nevertheless, their label debut, Make Your Move, released in the fall of 1979, returned them to gold record status, featuring the chart-topping hit Do That to Me One More Time, written by Tennille. By 1980, however, Casablanca was nearly moribund and was not able to promote Captain & Tennilles sixth album, Keeping Our Love Warm, which failed to even reach the charts.