The Philharmonia Chorus is an independent self-governing symphony chorus based in London, UK. The Chorus Master is Stefan Bevier.   The Philharmonia Chorus was founded in 1957 by Walter Legge as a choral counterpart to the Philharmonia Orchestra which he had founded twelve years earlier. The Chorus’s first concert, a performance on 12 November 1957 of Beethoven's Ninth Symphony, completed a cycle of Beethoven symphonies in London’s Royal Festival Hall with the Philharmonia Orchestra conducted by Otto Klemperer, and was recorded shortly afterwards with the same performers.   To create his chorus, Legge turned to Wilhelm Pitz, then chorus master of the Bayreuth Festival. Between the first rehearsal in February 1957 and first concert there was a long period of preparation during which Pitz rehearsed the Chorus in not only the scheduled Beethoven but also in choral passages from Wagner’s Die Meistersinger von Nürnberg. From that preparatory work emerged a chorus unique for its blend of British choral tradition and German musical training and discipline, and for a dramatic quality found more typically in opera than in a symphony chorus. The full yet homogeneous and professionally disciplined sound immediately attracted critical notice.
  The Philharmonia Chorus is an independent self-governing symphony chorus based in London, UK. The Chorus Master is Stefan Bevier.   The Philharmonia Chorus was founded in 1957 by Walter Legge as a choral counterpart to the Philharmonia Orchestra which he had founded twelve years earlier. The Chorus’s first concert, a performance on 12 November 1957 of Beethoven's Ninth Symphony, completed a cycle of Beethoven symphonies in London’s Royal Festival Hall with the Philharmonia Orchestra conducted by Otto Klemperer, and was recorded shortly afterwards with the same performers.   To create his chorus, Legge turned to Wilhelm Pitz, then chorus master of the Bayreuth Festival. Between the first rehearsal in February 1957 and first concert there was a long period of preparation during which Pitz rehearsed the Chorus in not only the scheduled Beethoven but also in choral passages from Wagner’s Die Meistersinger von Nürnberg. From that preparatory work emerged a chorus unique for its blend of British choral tradition and German musical training and discipline, and for a dramatic quality found more typically in opera than in a symphony chorus. The full yet homogeneous and professionally disciplined sound immediately attracted critical notice.
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