Alain Vanzo (April 2, 1928 – January 27, 2002) was a French opera singer and composer, one of few French tenors of international standing in the postwar era. He, along with such singers as Henri Legay and the Canadian Léopold Simoneau, represented a traditional French lyric style during a period when larger Italian and German vocal styles had become popular. 　　Vanzo was born in Monte Carlo, Monaco, the son of a Mexican father and a French mother. He started singing at a young age in the church choir. At 18, he started singing popular songs with a small band called "La Bastringue". He sang at the Théâtre du Châtelet, during the 1951–52 season, as a double for Luis Mariano in the operetta Le Chanteur de Mexico, while taking voice lessons with Rolande Darcoeur in Paris. His breakthrough came in 1954, when he participated in a singing contest at Cannes, and won the first prize. 　　Vanzo was then immediately invited to sing at the Opéra-Comique and at the Palais Garnier quickly establishing himself in the standard French lyric repertory, such as Nadir in Les pêcheurs de perles, Gérald in Lakmé, Faust, Roméo in Roméo et Juliette, Vincent in Mireille, des Grieux in Manon, etc. He also sang the Italian repertory, such as the Duke in Rigoletto, Alfredo in La Traviata, Rodolfo in La bohème. He won great acclaim at the Palais Garnier in 1960, as Edgardo in Lucia di Lammermoor, opposite Joan Sutherland who was making her debut there. This was the beginning of his international career, appearing at many of the major opera houses in Europe, the Royal Opera House in London, La Monnaie in Brussels, the Liceu in Barcelona, the Vienna State Opera, etc. Vanzo also appeared in North America, on tour with the Paris Opera, singing Faust, and in South America at the Teatro Colón in Les contes d'Hoffmann. He sang at Carnegie Hall in New York, as Gennaro, in the famous 1965 concert version of Lucrezia Borgia, opposite Montserrat Caballé.